SW-441 Yellow Bead (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Produces a dimensional, beaded texture in varying sizes.

Cone 10 reduction: Glaze spreads and softens. Surface texture may occur.  Color Lightens

  Not Dinnerware Safe

Basic Application:  Stir Well.  Using a fan brush, apply 3-6 coats to greenware or soft-fired, cone 04 stoneware bisque (1940F/1060C).

A heavier application will produce a more pronounced bead pattern.  When glossy sheen is gone, apply the next coat layer.  Continue to build coats until hairline cracking develops.  Alternate the direction of coats.  Handle with care.

Fire to preferred temperature; cone 5-10 (2167F - 2345F / 1186C - 1285C).

Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary.

Product Usage:

Tinting: Can be tinted with a 1:4 (Color Product: Beads) ratio for custom colors using Stroke & Coat, EZ Stroke, Stoneware Gloss, and Underglaze to expand your color palette.

Layer Together: Beads can be layered with other Bead colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. Alternate directions of coats (apply one layer vertically and the next layer horizontally). The first coat you put on will be the most prominent. 1-2 coats of each color are recommended, but additional coats will produce a more pronounced bead pattern.

Use with Underglazes and Engobes: Beads remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Beads, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Beads have a broad firing range from cone 5 to cone 10 (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in the glaze spreading and softening, with a surface texture that may occur. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

Dinnerware Safety: Beads is not recommended for dinnerware due to surface texture. However, it can be used on the outside of functional ware, below the lip line.  

SW-433 Turquoise Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

Application

Before application: Stir thoroughly using a stick, palette knife, or the end of your brush, as it will be very thick in the jar. For better adhesion, lightly dampen the bisque surface with a sponge before application. Effects are achieved by applying the glaze with a syringe or squeeze bottle. A ceramic glaze syringe with a cap or the Mayco AC220 Detailer Tips and Bottle is recommended for precision. When cutting the Detailer Tip, be careful not to cut too far down, as this can affect the control and flow of the glaze during application.

Basic Application: Apply dots in varying thickness and patterns to greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).  For more movement and a dripping effect, apply larger dots on a vertical surface. The glaze can flow over textured areas. Continuously shake your applicator tool during use to eliminate air bubbles that can disrupt the flow of glaze and cause uneven texture or splatter. Allow the glaze to dry. It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion. Fire to preferred temperature; cone 5-10 (2167°F-2345°F/ 1186°C-1285°C). Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary. When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips. Heavy application may cause the glaze to pop off.

Storage: Due to the thickness of Melt Gloop, it’s recommended to level out the glaze by gently tapping the product jar onto a table surface after application. This helps alleviate any peaks in the glaze that could lead to drying issues.

Product Usage

Dots in Design: To apply dots in a design pattern using Melt Gloop, begin by using a pea-sized amount to prevent the glaze from running or pooling during firing. Apply the dots with a syringe or applicator bottle, spacing them evenly to maintain a clean and intentional pattern. You can experiment with geometric arrangements like grids or spirals, or opt for organic designs such as vines or waves. For color, you may use single shades for a bold, uniform look, or layer different colors to add depth and visual interest.

Colorful Drips: Melt Gloop can be applied in larger dots on vertical surfaces to create more dramatic movement and dripping effects using a syringe or applicator bottle. This technique enhances the glaze’s fluidity during firing, allowing it to flow downward. Be cautious of any glaze applied too low on your piece, as it may run off.

Layer Together: Melt Gloop can be layered and marbled with other Melt Gloop colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. This technique enhances both the texture and vibrancy of your finished piece. The more product you apply, the more the glaze will run.

Use with Underglazes and Engobes: Melt Gloop remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Melt Gloop, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Melt Gloop has a broad firing range from cone 5 to cone 10, (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in increased movement and texture. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

SW-445 Turquoise Bead (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Produces a dimensional, beaded texture in varying sizes.

Cone 10 reduction: Glaze spreads and softens. Surface texture may occur.  Color Shifts Blue

  Not Dinnerware Safe

Basic Application:  Stir Well.  Using a fan brush, apply 3-6 coats to greenware or soft-fired, cone 04 stoneware bisque (1940F/1060C).

A heavier application will produce a more pronounced bead pattern.  When glossy sheen is gone, apply the next coat layer.  Continue to build coats until hairline cracking develops.  Alternate the direction of coats.  Handle with care.

Fire to preferred temperature; cone 5-10 (2167F - 2345F / 1186C - 1285C).

Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary.

Product Usage:

Tinting: Can be tinted with a 1:4 (Color Product: Beads) ratio for custom colors using Stroke & Coat, EZ Stroke, Stoneware Gloss, and Underglaze to expand your color palette.

Layer Together: Beads can be layered with other Bead colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. Alternate directions of coats (apply one layer vertically and the next layer horizontally). The first coat you put on will be the most prominent. 1-2 coats of each color are recommended, but additional coats will produce a more pronounced bead pattern.

Use with Underglazes and Engobes: Beads remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Beads, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Beads have a broad firing range from cone 5 to cone 10 (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in the glaze spreading and softening, with a surface texture that may occur. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

Dinnerware Safety: Beads is not recommended for dinnerware due to surface texture. However, it can be used on the outside of functional ware, below the lip line.  

SW-429 Red Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

Application

SW-443 Red Bead (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Produces a dimensional, beaded texture in varying sizes.

Cone 10 reduction: Glaze spreads and softens. Surface texture may occur.  No color change.

  Not Dinnerware Safe

Basic Application:  Stir Well.  Using a fan brush, apply 3-6 coats to greenware or soft-fired, cone 04 stoneware bisque (1940F/1060C).

A heavier application will produce a more pronounced bead pattern.  When glossy sheen is gone, apply the next coat layer.  Continue to build coats until hairline cracking develops.  Alternate the direction of coats.  Handle with care.

Fire to preferred temperature; cone 5-10 (2167F - 2345F / 1186C - 1285C).

Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary.

Product Usage:

Tinting: Can be tinted with a 1:4 (Color Product: Beads) ratio for custom colors using Stroke & Coat, EZ Stroke, Stoneware Gloss, and Underglaze to expand your color palette.

Layer Together: Beads can be layered with other Bead colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. Alternate directions of coats (apply one layer vertically and the next layer horizontally). The first coat you put on will be the most prominent. 1-2 coats of each color are recommended, but additional coats will produce a more pronounced bead pattern.

Use with Underglazes and Engobes: Beads remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Beads, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Beads have a broad firing range from cone 5 to cone 10 (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in the glaze spreading and softening, with a surface texture that may occur. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

Dinnerware Safety: Beads is not recommended for dinnerware due to surface texture. However, it can be used on the outside of functional ware, below the lip line.  

SW-444 Pink Bead (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Produces a dimensional, beaded texture in varying sizes.

Cone 10 reduction: Glaze spreads and softens. Surface texture may occur.  Color Lightens

  Not Dinnerware Safe

Basic Application:  Stir Well.  Using a fan brush, apply 3-6 coats to greenware or soft-fired, cone 04 stoneware bisque (1940F/1060C).

A heavier application will produce a more pronounced bead pattern.  When glossy sheen is gone, apply the next coat layer.  Continue to build coats until hairline cracking develops.  Alternate the direction of coats.  Handle with care.

Fire to preferred temperature; cone 5-10 (2167F - 2345F / 1186C - 1285C).

Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary.

Product Usage:

Tinting: Can be tinted with a 1:4 (Color Product: Beads) ratio for custom colors using Stroke & Coat, EZ Stroke, Stoneware Gloss, and Underglaze to expand your color palette.

Layer Together: Beads can be layered with other Bead colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. Alternate directions of coats (apply one layer vertically and the next layer horizontally). The first coat you put on will be the most prominent. 1-2 coats of each color are recommended, but additional coats will produce a more pronounced bead pattern.

Use with Underglazes and Engobes: Beads remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Beads, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Beads have a broad firing range from cone 5 to cone 10 (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in the glaze spreading and softening, with a surface texture that may occur. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

Dinnerware Safety: Beads is not recommended for dinnerware due to surface texture. However, it can be used on the outside of functional ware, below the lip line.  

SW-446 Pastel Blue Bead (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Produces a dimensional, beaded texture in varying sizes.

Cone 10 reduction: Glaze spreads and softens. Surface texture may occur.  No Color Change

  Not Dinnerware Safe

Basic Application:  Stir Well.  Using a fan brush, apply 3-6 coats to greenware or soft-fired, cone 04 stoneware bisque (1940F/1060C).

A heavier application will produce a more pronounced bead pattern.  When glossy sheen is gone, apply the next coat layer.  Continue to build coats until hairline cracking develops.  Alternate the direction of coats.  Handle with care.

Fire to preferred temperature; cone 5-10 (2167F - 2345F / 1186C - 1285C).

Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary.

Product Usage:

Tinting: Can be tinted with a 1:4 (Color Product: Beads) ratio for custom colors using Stroke & Coat, EZ Stroke, Stoneware Gloss, and Underglaze to expand your color palette.

Layer Together: Beads can be layered with other Bead colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. Alternate directions of coats (apply one layer vertically and the next layer horizontally). The first coat you put on will be the most prominent. 1-2 coats of each color are recommended, but additional coats will produce a more pronounced bead pattern.

Use with Underglazes and Engobes: Beads remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Beads, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Beads have a broad firing range from cone 5 to cone 10 (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in the glaze spreading and softening, with a surface texture that may occur. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

Dinnerware Safety: Beads is not recommended for dinnerware due to surface texture. However, it can be used on the outside of functional ware, below the lip line.  

SW-428 Orange Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

Application

Before application: Stir thoroughly using a stick, palette knife, or the end of your brush, as it will be very thick in the jar. For better adhesion, lightly dampen the bisque surface with a sponge before application. Effects are achieved by applying the glaze with a syringe or squeeze bottle. A ceramic glaze syringe with a cap or the Mayco AC220 Detailer Tips and Bottle is recommended for precision. When cutting the Detailer Tip, be careful not to cut too far down, as this can affect the control and flow of the glaze during application.

Basic Application: Apply dots in varying thickness and patterns to greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).  For more movement and a dripping effect, apply larger dots on a vertical surface. The glaze can flow over textured areas. Continuously shake your applicator tool during use to eliminate air bubbles that can disrupt the flow of glaze and cause uneven texture or splatter. Allow the glaze to dry. It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion. Fire to preferred temperature; cone 5-10 (2167°F-2345°F/ 1186°C-1285°C). Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary. When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips. Heavy application may cause the glaze to pop off.

Storage: Due to the thickness of Melt Gloop, it’s recommended to level out the glaze by gently tapping the product jar onto a table surface after application. This helps alleviate any peaks in the glaze that could lead to drying issues.

Product Usage

Dots in Design: To apply dots in a design pattern using Melt Gloop, begin by using a pea-sized amount to prevent the glaze from running or pooling during firing. Apply the dots with a syringe or applicator bottle, spacing them evenly to maintain a clean and intentional pattern. You can experiment with geometric arrangements like grids or spirals, or opt for organic designs such as vines or waves. For color, you may use single shades for a bold, uniform look, or layer different colors to add depth and visual interest.

Colorful Drips: Melt Gloop can be applied in larger dots on vertical surfaces to create more dramatic movement and dripping effects using a syringe or applicator bottle. This technique enhances the glaze’s fluidity during firing, allowing it to flow downward. Be cautious of any glaze applied too low on your piece, as it may run off.

Layer Together: Melt Gloop can be layered and marbled with other Melt Gloop colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. This technique enhances both the texture and vibrancy of your finished piece. The more product you apply, the more the glaze will run.

Use with Underglazes and Engobes: Melt Gloop remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Melt Gloop, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Melt Gloop has a broad firing range from cone 5 to cone 10, (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in increased movement and texture. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

SW-442 Orange Bead (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Produces a dimensional, beaded texture in varying sizes.

Cone 10 reduction: Glaze spreads and softens. Surface texture may occur.  No color change.

  Not Dinnerware Safe

Basic Application:  Stir Well.  Using a fan brush, apply 3-6 coats to greenware or soft-fired, cone 04 stoneware bisque (1940F/1060C).

A heavier application will produce a more pronounced bead pattern.  When glossy sheen is gone, apply the next coat layer.  Continue to build coats until hairline cracking develops.  Alternate the direction of coats.  Handle with care.

Fire to preferred temperature; cone 5-10 (2167F - 2345F / 1186C - 1285C).

Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary.

Product Usage:

Tinting: Can be tinted with a 1:4 (Color Product: Beads) ratio for custom colors using Stroke & Coat, EZ Stroke, Stoneware Gloss, and Underglaze to expand your color palette.

Layer Together: Beads can be layered with other Bead colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. Alternate directions of coats (apply one layer vertically and the next layer horizontally). The first coat you put on will be the most prominent. 1-2 coats of each color are recommended, but additional coats will produce a more pronounced bead pattern.

Use with Underglazes and Engobes: Beads remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Beads, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Beads have a broad firing range from cone 5 to cone 10 (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in the glaze spreading and softening, with a surface texture that may occur. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

Dinnerware Safety: Beads is not recommended for dinnerware due to surface texture. However, it can be used on the outside of functional ware, below the lip line.  

SW-447 Blue Bead (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Produces a dimensional, beaded texture in varying sizes.

Cone 10 reduction: Glaze spreads and softens. Surface texture may occur.  No Color Change

  Not Dinnerware Safe

Basic Application:  Stir Well.  Using a fan brush, apply 3-6 coats to greenware or soft-fired, cone 04 stoneware bisque (1940F/1060C).

A heavier application will produce a more pronounced bead pattern.  When glossy sheen is gone, apply the next coat layer.  Continue to build coats until hairline cracking develops.  Alternate the direction of coats.  Handle with care.

Fire to preferred temperature; cone 5-10 (2167F - 2345F / 1186C - 1285C).

Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary.

Product Usage:

Tinting: Can be tinted with a 1:4 (Color Product: Beads) ratio for custom colors using Stroke & Coat, EZ Stroke, Stoneware Gloss, and Underglaze to expand your color palette.

Layer Together: Beads can be layered with other Bead colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. Alternate directions of coats (apply one layer vertically and the next layer horizontally). The first coat you put on will be the most prominent. 1-2 coats of each color are recommended, but additional coats will produce a more pronounced bead pattern.

Use with Underglazes and Engobes: Beads remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Beads, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Beads have a broad firing range from cone 5 to cone 10 (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in the glaze spreading and softening, with a surface texture that may occur. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

Dinnerware Safety: Beads is not recommended for dinnerware due to surface texture. However, it can be used on the outside of functional ware, below the lip line.  

2000-Q White Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

1186 Soft Pink 1100 Series Cone 4-6 Opaque Textured Glaze by Spectrum

16-ounce container

AP, Non-Toxic, Dinnerware Safe

The Cone Stoneware Reactive Glazes are all lead-Free and dinnerware safe. 
They are formulated to produce interesting and beautiful effects after firing.
Their final appearance can be affecting by different clay bodies and also the presence or layering of other glazes.

Due to the sensitivity of these glazes, Cone 5 is our recommended firing temperature.

2054-Q Rose Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2060-Q Purple Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2036-Q Peacock Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2050-Q Peach Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2023-Q Mustard Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2080-Q Manganese Pink Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2081-Q Lavender Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2070-Q Flesh Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2011-Q Deep Coral Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2084-Q Bright Red Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2085-Q Bright Orange Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

2002-Q Blue Grey Ceramic Stain by Spectrum

1/4-lbs container

AP, non-toxic, Dinnerware Safe

Our Ceramic Stains come in powder form and can be used to color glazes, underglazes or clay bodies.

They are suitable for a large range of temperatures, from Cone 06 to Cone 10. 

Testing is recommended to determine stability

Mixing: 

For example, colors 2082, 2083, 2084, 2085, and 2090 should be mixed among themselves. 

Usage: 

The percentage of stain required in a formula can range from 1-15%, with 

5-10% being optimal for most applications. 

Safety: 

These stains are lead-free and non-toxic but handling them requires precautions due to potential health hazards. 

PC-69 - Cosmic Gold Dust - Mid Range Potters Choice Glaze in Pint Size Container

PC-69 Cosmic Gold Dust is a sparkly gold glaze with subtle specks of reds and browns in the light.

Layers well over AMACO Celadons, other Potter's Choice and Satin Matte glazes. Glaze layering fired results may run if paired with a runny glaze. We recommend testing any layering combination prior to putting it on a full ceramic piece. 

Shake well before use. For best results, do not thin the glaze and apply 3 brush coats to Cone 04 bisque. (Let the glaze dry between coats.) Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-19 - Moon River - Mid Range Potters Choice Glaze in Pint Size Container

PC-19 Moon River is a dreamy, flowy glaze shifting in color from a soft periwinkle to a milky blue.

Layers well over AMACO Celadons, other Potter's Choice and Satin Matte glazes.
Glaze layering fired results may run if paired with a runny glaze.
We recommend testing any layering combination prior to putting it on a full ceramic piece. 

Shake well before use. For best results, do not thin the glaze and apply 3 brush coats to Cone 04 bisque.
(Let the glaze dry between coats.) Glaze fire to Cone 5-6.  Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-18 - Tuscan Blue - Mid Range Potters Choice Glaze in Pint Size Container

PC-18 Tuscan Blue is a deep blue, semi-matte glaze that breaks light blue to moss green over texture.

Layers well over AMACO Celadons, other Potter's Choice and Satin Matte glazes.
Glaze layering fired results may run if paired with a runny glaze.
We recommend testing any layering combination prior to putting it on a full ceramic piece. 

Shake well before use. For best results, do not thin the glaze and apply 3 brush coats to Cone 04 bisque.
(Let the glaze dry between coats.) Glaze fire to Cone 5-6.  Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-14 - Lapis Flow - Mid Range Potters Choice Glaze in Pint Size Container

Lapis Flow is a flowy glaze, varying in color from soft blue to purple and breaking green over texture.

Layers well over AMACO Celadons, other Potter's Choice and Satin Matte glazes.
Glaze layering fired results may run if paired with a runny glaze.
We recommend testing any layering combination prior to putting it on a full ceramic piece. 

Shake well before use. For best results, do not thin the glaze and apply 3 brush coats to Cone 04 bisque.
(Let the glaze dry between coats.) Glaze fire to Cone 5-6.  Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PC-13 - Serpentine Green - Mid Range Potters Choice Glaze in Pint Size Container

PC-13 Serpentine Green is a semi-matte soft green glaze that breaks light blue over texture.

Layers well over AMACO Celadons, other Potter's Choice and Satin Matte glazes.
Glaze layering fired results may run if paired with a runny glaze.
We recommend testing any layering combination prior to putting it on a full ceramic piece. 

Shake well before use. For best results, do not thin the glaze and apply 3 brush coats to Cone 04 bisque.
(Let the glaze dry between coats.) Glaze fire to Cone 5-6.  Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

MT - EDGY Rib - Blue Firm Polymer Rib 

Inspired by Jeff from GR Pottery, EDGY is our latest polymer rib, designed for precise edge rounding and burnishing.
This curvy little showboat is available in all four of our classic colors and flexibilities. 

  Red -  Very Soft 

  Yellow - Soft

  Green - Medium

  Blue – Firm

MT - EDGY Rib - Green Medium Polymer Rib 

Inspired by Jeff from GR Pottery, EDGY is our latest polymer rib, designed for precise edge rounding and burnishing.
This curvy little showboat is available in all four of our classic colors and flexibilities. 

  Red -  Very Soft 

  Yellow - Soft

  Green - Medium

  Blue – Firm

MT - EDGY Rib - Yellow soft Polymer Rib 

Inspired by Jeff from GR Pottery, EDGY is our latest polymer rib, designed for precise edge rounding and burnishing.
This curvy little showboat is available in all four of our classic colors and flexibilities. 

  Red -  Very Soft 

  Yellow - Soft

  Green - Medium

  Blue – Firm

MT - EDGY Rib - Red very soft Polymer Rib 

Inspired by Jeff from GR Pottery, EDGY is our latest polymer rib, designed for precise edge rounding and burnishing.
This curvy little showboat is available in all four of our classic colors and flexibilities. 

  Red -  Very Soft 

  Yellow - Soft

  Green - Medium

  Blue – Firm

SW-440 White Bead (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Produces a dimensional, beaded texture in varying sizes.

Cone 10 reduction: Glaze spreads and softens. Surface texture may occur.  No color change.

  Not Dinnerware Safe

Basic Application:  Stir Well.  Using a fan brush, apply 3-6 coats to greenware or soft-fired, cone 04 stoneware bisque (1940F/1060C).

A heavier application will produce a more pronounced bead pattern.  When glossy sheen is gone, apply the next coat layer.  Continue to build coats until hairline cracking develops.  Alternate the direction of coats.  Handle with care.

Fire to preferred temperature; cone 5-10 (2167F - 2345F / 1186C - 1285C).

Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary.

Product Usage:

Tinting: Can be tinted with a 1:4 (Color Product: Beads) ratio for custom colors using Stroke & Coat, EZ Stroke, Stoneware Gloss, and Underglaze to expand your color palette.

Layer Together: Beads can be layered with other Bead colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. Alternate directions of coats (apply one layer vertically and the next layer horizontally). The first coat you put on will be the most prominent. 1-2 coats of each color are recommended, but additional coats will produce a more pronounced bead pattern.

Use with Underglazes and Engobes: Beads remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Beads, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Beads have a broad firing range from cone 5 to cone 10 (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in the glaze spreading and softening, with a surface texture that may occur. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

Dinnerware Safety: Beads is not recommended for dinnerware due to surface texture. However, it can be used on the outside of functional ware, below the lip line.  

DEX Stylus Tool #6 by Mud Tools

Meet our newest addition, the DEX Tool, available in 6 styles.
Crafted from stainless steel and thoughtfully weighted, the DEX is a versatile stylus tool designed to integrate with your artistic process seamlessly.
Styles 1-3 excel in Sgraffito, Mishima, and signing your work, while Styles 4-6 are form tools ideal for drawing and surface alteration, such as embellishing a small tea bowl.

All DEX Tools are 7.25 inches long; diameters are below:

#1 (3/16), #2 (1/4), #3 (5/16),#4 (3/8), #5 (3/8), #6 (1/4)

DEX Stylus Tool #5 by Mud Tools

Meet our newest addition, the DEX Tool, available in 6 styles.
Crafted from stainless steel and thoughtfully weighted, the DEX is a versatile stylus tool designed to integrate with your artistic process seamlessly.
Styles 1-3 excel in Sgraffito, Mishima, and signing your work, while Styles 4-6 are form tools ideal for drawing and surface alteration, such as embellishing a small tea bowl.

All DEX Tools are 7.25 inches long; diameters are below:

#1 (3/16), #2 (1/4), #3 (5/16),#4 (3/8), #5 (3/8), #6 (1/4)

DEX Stylus Tool #4 by Mud Tools

Meet our newest addition, the DEX Tool, available in 6 styles.
Crafted from stainless steel and thoughtfully weighted, the DEX is a versatile stylus tool designed to integrate with your artistic process seamlessly.
Styles 1-3 excel in Sgraffito, Mishima, and signing your work, while Styles 4-6 are form tools ideal for drawing and surface alteration, such as embellishing a small tea bowl.

All DEX Tools are 7.25 inches long; diameters are below:

#1 (3/16), #2 (1/4), #3 (5/16),#4 (3/8), #5 (3/8), #6 (1/4)

DEX Stylus Tool #3 by Mud Tools

Meet our newest addition, the DEX Tool, available in 6 styles.
Crafted from stainless steel and thoughtfully weighted, the DEX is a versatile stylus tool designed to integrate with your artistic process seamlessly.
Styles 1-3 excel in Sgraffito, Mishima, and signing your work, while Styles 4-6 are form tools ideal for drawing and surface alteration, such as embellishing a small tea bowl.

All DEX Tools are 7.25 inches long; diameters are below:

#1 (3/16), #2 (1/4), #3 (5/16),#4 (3/8), #5 (3/8), #6 (1/4)

DEX Stylus Tool #2 by Mud Tools

Meet our newest addition, the DEX Tool, available in 6 styles.
Crafted from stainless steel and thoughtfully weighted, the DEX is a versatile stylus tool designed to integrate with your artistic process seamlessly.
Styles 1-3 excel in Sgraffito, Mishima, and signing your work, while Styles 4-6 are form tools ideal for drawing and surface alteration, such as embellishing a small tea bowl.

All DEX Tools are 7.25 inches long; diameters are below:

#1 (3/16), #2 (1/4), #3 (5/16),#4 (3/8), #5 (3/8), #6 (1/4)

DEX Stylus Tool #1 by Mud Tools

Meet our newest addition, the DEX Tool, available in 6 styles.
Crafted from stainless steel and thoughtfully weighted, the DEX is a versatile stylus tool designed to integrate with your artistic process seamlessly.
Styles 1-3 excel in Sgraffito, Mishima, and signing your work, while Styles 4-6 are form tools ideal for drawing and surface alteration, such as embellishing a small tea bowl.

All DEX Tools are 7.25 inches long; diameters are below:

#1 (3/16), #2 (1/4), #3 (5/16),#4 (3/8), #5 (3/8), #6 (1/4)

CXS126 Embossed Planter - Mid Range Stoneware Bisque

6 Dia. x 5-1/4 H 

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CCX4030 Baby Frankie Planter in Ceramic Cone 04 Bisque

5 L x 4.25 W x 5.25 H

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

CCX4025 Cera the Triceratops

3-1/4 L x 10 W x 5 H

Low Fire, Ready to Paint, Ceramic Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 06 or can be painted with acrylics and sprayed sealed

CCX525 Sitting Kitty - in Ceramic. ready to paint, Cone 04 Bisque

Dimensions:  3.0 x 5.5 High

2024 Mayco Specialty Glaze Color Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-480E

Downloadable Brochure Link

2025 Mayco Specialty Glaze Brochure

Mayco Stoneware Color Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-508E

Downloadable Color Brochure Link

2025 Mayco Stoneware Brochure

Mayco Jungle Gems Color Guide

Low-Fire and Mid-range Combo Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-502E

Downloadable Color Brochure Link

2025 Mayco Jungle Gems Low-Fire Color Brochure

2025 Mayco Jungle Gems Mid-Range Color Brochure

Mayco Fundamentals Underglaze Color Guide

Low-Fire and Mid-range Combo Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-507E

Downloadable Color Brochure Link

2025 Mayco Fundamental Underglaze Low-Fire Color Brochure

2025 Mayco Fundamental Underglaze Mid-Range Color Brochure

Mayco Elements Color Guide

Low-Fire and Mid-range Combo Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-512E

Downloadable Brochure Link

Elements Low-Fire Glaze Brochure

Elements Mid-Fire Glaze Brochure

Mayco Glazing Techniques Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-513

Downloadable Brochure Link

Mayco Glazing Techniques

2025 Mayco Stroke & Coat Color Guide

Low-Fire and Mid-Range Combination Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-501

Downloadable Brochure Link

2025 Stroke & Coat - Low-Fire Color Brochure

2025 Stroke & Coat - Mid-Range Color Brochure

2024 Mayco Foundations Color Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-495E

Downloadable Color Brochure Link

2025 Mayco Foundations Glaze Brochure

2025 Mayco Color Guide

Only one per customer, when you place a glaze, bisque or tool order, while supplies last.

Item #MC-514

Downloadable Brochure Link

2025 MAYCO Color Guide

SM-63 - Yellow - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Yellow is an opaque, buttery gold glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-51 - Red - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Red is an opaque, buttery scarlet glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-68 - Orange Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Orange is an opaque, buttery orange glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-46 - Moss - Mid Range Satin Matte Glaze in Pint Size Container

Moss is a deep forest green, matte glaze with a hint of olive in the final color.

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-42 - Mint - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Mint is an opaque, buttery light green glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-60 - Goldenrod - Mid Range Satin Matte Glaze in Pint Size Container

Goldenrod is a rich, deep yellow matte glaze like a summer flower.

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-44 - Chartreuse - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Chartreuse is an opaque, buttery pea-green glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-53 - Cayenne - Mid Range Satin Matte Glaze in Pint Size Container

Cayenne is a spicy and warm red satin glaze with an earthy undertone.

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-27 - Teal - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Teal is an opaque, buttery blue-green glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-24 - Seafoam - Mid Range Satin Matte Glaze in Pint Size Container

Seafoam embodies the serene beauty of the ocean, bringing a sense of calm and sophistication to any pottery creation.

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-11 - Satin Matte White - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte White is an opaque, buttery white glaze accentuates textured ware and boasts a classic art deco appearance.

Add SM-11 to other Satin Matte glazes to created tinted colors.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-03 - Marble - Mid Range Satin Matte Glaze in Pint Size Container

Marble is a pale gray satin glaze, just a whisper of color like the polished marble it's inspired by. 

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-20 - Light Blue - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Light Blue is an opaque, buttery robin's egg blue glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-21 - Dark Blue - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Dark Blue is an opaque, buttery cobalt glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-10 - Clear Matte - Mid Range Satin Matte Glaze in Pint Size Container

Clear Satin is a smooth, buttery zinc-free clear glaze that accentuates textured ware and boasts a classic art deco appearance. Add SM-10 to other Satin Matte colors to create softer tones.

Use 2 coats over underglazes for a more translucent result. Zinc-free.

Some underglaze colors may be muted with SM-10 Clear Satin:

• V-370 Velour Black
• V-361 Jet Black
  
• V-316 Light Pink

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-29 - Blue Green - Mid Range Satin Matte Glaze in Pint Size Container

Satin Matte Blue Green is an opaque, buttery deep teal glaze that accentuates textured ware and boasts a classic art deco appearance.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-02 - Stone - Mid Range Satin Matte Glaze in Pint Size Container

Stone is a dark taupe satin glaze, smooth as a weathered rock. 

Glaze fire to Cone 5-6. Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-60 Sunbeam - Mid Range Potters Choice Flux Glaze in Pint Size Container

Sunbeam is a radiant golden-yellow with subtle gradations of amber and honey. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque. (Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-63 Sun Shower - Mid Range Potters Choice Flux Glaze in Pint Size Container

Sun Shower is a pale yellow interspersed with fine, dark speckles. It breaks across textured surfaces and develops a warm blush float when thick. Great for layering with other glazes as a base or top coat.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed.
Apply 3 even coats of glaze to Cone 04 bisque. (Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-36 Rose Mist - Mid Range Potters Choice Flux Glaze in Pint Size Container

Rose Mist features a soft, blush-pink base, with subtle hints of lavender and white swirls. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque.

(Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-21 Ocean Drift - Mid Range Potters Choice Flux Glaze in Pint Size Container

Ocean Drift is a calming blue color, interspersed with fine, dark speckles that add texture and visual interest. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay. 

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO® Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque. (Let the glaze dry between coats.) Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-33 Mystic Tide Mid Range Potters Choice Flux Glaze in Pint Size Container

Mystic Tide is earthy green, highlighted by a subtle, mottled texture that adds depth and complexity to the surface. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque.

(Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

PCF-16 Aurora Breeze - Mid Range Potters Choice Flux Glaze in Pint Size Container

Aurora Breeze is a hazy pink glaze with hints of blue and purple and dark speckles. It breaks across textured surfaces, developing a warm blush float when thick. Great for layering with other glazes as a base or top coat. Beautiful on any color of clay.

Good at cone 5, more fluid at cone 6.

Shake well before use. Thin with water and AMACO Gum Solution if needed. Apply 3 even coats of glaze to Cone 04 bisque.

(Let the glaze dry between coats.)

Glaze fire to Cone 5-6.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SM-01 - Black - Mid Range Satin Matte Glaze in Pint Size Container

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

SW-425 Black Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

Application

Before application: Stir thoroughly using a stick, palette knife, or the end of your brush, as it will be very thick in the jar. For better adhesion, lightly dampen the bisque surface with a sponge before application. Effects are achieved by applying the glaze with a syringe or squeeze bottle. A ceramic glaze syringe with a cap or the Mayco AC220 Detailer Tips and Bottle is recommended for precision. When cutting the Detailer Tip, be careful not to cut too far down, as this can affect the control and flow of the glaze during application.

Basic Application: Apply dots in varying thickness and patterns to greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).  For more movement and a dripping effect, apply larger dots on a vertical surface. The glaze can flow over textured areas. Continuously shake your applicator tool during use to eliminate air bubbles that can disrupt the flow of glaze and cause uneven texture or splatter. Allow the glaze to dry. It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion. Fire to preferred temperature; cone 5-10 (2167°F-2345°F/ 1186°C-1285°C). Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary. When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips. Heavy application may cause the glaze to pop off.

Storage: Due to the thickness of Melt Gloop, it’s recommended to level out the glaze by gently tapping the product jar onto a table surface after application. This helps alleviate any peaks in the glaze that could lead to drying issues.

Product Usage

Dots in Design: To apply dots in a design pattern using Melt Gloop, begin by using a pea-sized amount to prevent the glaze from running or pooling during firing. Apply the dots with a syringe or applicator bottle, spacing them evenly to maintain a clean and intentional pattern. You can experiment with geometric arrangements like grids or spirals, or opt for organic designs such as vines or waves. For color, you may use single shades for a bold, uniform look, or layer different colors to add depth and visual interest.

Colorful Drips: Melt Gloop can be applied in larger dots on vertical surfaces to create more dramatic movement and dripping effects using a syringe or applicator bottle. This technique enhances the glaze’s fluidity during firing, allowing it to flow downward. Be cautious of any glaze applied too low on your piece, as it may run off.

Layer Together: Melt Gloop can be layered and marbled with other Melt Gloop colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. This technique enhances both the texture and vibrancy of your finished piece. The more product you apply, the more the glaze will run.

Use with Underglazes and Engobes: Melt Gloop remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Melt Gloop, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Melt Gloop has a broad firing range from cone 5 to cone 10, (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in increased movement and texture. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

SW-424 Blue Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

Application

Before application: Stir thoroughly using a stick, palette knife, or the end of your brush, as it will be very thick in the jar. For better adhesion, lightly dampen the bisque surface with a sponge before application. Effects are achieved by applying the glaze with a syringe or squeeze bottle. A ceramic glaze syringe with a cap or the Mayco AC220 Detailer Tips and Bottle is recommended for precision. When cutting the Detailer Tip, be careful not to cut too far down, as this can affect the control and flow of the glaze during application.

Basic Application: Apply dots in varying thickness and patterns to greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).  For more movement and a dripping effect, apply larger dots on a vertical surface. The glaze can flow over textured areas. Continuously shake your applicator tool during use to eliminate air bubbles that can disrupt the flow of glaze and cause uneven texture or splatter. Allow the glaze to dry. It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion. Fire to preferred temperature; cone 5-10 (2167°F-2345°F/ 1186°C-1285°C). Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary. When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips. Heavy application may cause the glaze to pop off.

Storage: Due to the thickness of Melt Gloop, it’s recommended to level out the glaze by gently tapping the product jar onto a table surface after application. This helps alleviate any peaks in the glaze that could lead to drying issues.

Product Usage

Dots in Design: To apply dots in a design pattern using Melt Gloop, begin by using a pea-sized amount to prevent the glaze from running or pooling during firing. Apply the dots with a syringe or applicator bottle, spacing them evenly to maintain a clean and intentional pattern. You can experiment with geometric arrangements like grids or spirals, or opt for organic designs such as vines or waves. For color, you may use single shades for a bold, uniform look, or layer different colors to add depth and visual interest.

Colorful Drips: Melt Gloop can be applied in larger dots on vertical surfaces to create more dramatic movement and dripping effects using a syringe or applicator bottle. This technique enhances the glaze’s fluidity during firing, allowing it to flow downward. Be cautious of any glaze applied too low on your piece, as it may run off.

Layer Together: Melt Gloop can be layered and marbled with other Melt Gloop colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. This technique enhances both the texture and vibrancy of your finished piece. The more product you apply, the more the glaze will run.

Use with Underglazes and Engobes: Melt Gloop remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Melt Gloop, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Melt Gloop has a broad firing range from cone 5 to cone 10, (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in increased movement and texture. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

SW-423 Slime Green Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

Application

Before application: Stir thoroughly using a stick, palette knife, or the end of your brush, as it will be very thick in the jar. For better adhesion, lightly dampen the bisque surface with a sponge before application. Effects are achieved by applying the glaze with a syringe or squeeze bottle. A ceramic glaze syringe with a cap or the Mayco AC220 Detailer Tips and Bottle is recommended for precision. When cutting the Detailer Tip, be careful not to cut too far down, as this can affect the control and flow of the glaze during application.

Basic Application: Apply dots in varying thickness and patterns to greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).  For more movement and a dripping effect, apply larger dots on a vertical surface. The glaze can flow over textured areas. Continuously shake your applicator tool during use to eliminate air bubbles that can disrupt the flow of glaze and cause uneven texture or splatter. Allow the glaze to dry. It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion. Fire to preferred temperature; cone 5-10 (2167°F-2345°F/ 1186°C-1285°C). Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary. When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips. Heavy application may cause the glaze to pop off.

Storage: Due to the thickness of Melt Gloop, it’s recommended to level out the glaze by gently tapping the product jar onto a table surface after application. This helps alleviate any peaks in the glaze that could lead to drying issues.

Product Usage

Dots in Design: To apply dots in a design pattern using Melt Gloop, begin by using a pea-sized amount to prevent the glaze from running or pooling during firing. Apply the dots with a syringe or applicator bottle, spacing them evenly to maintain a clean and intentional pattern. You can experiment with geometric arrangements like grids or spirals, or opt for organic designs such as vines or waves. For color, you may use single shades for a bold, uniform look, or layer different colors to add depth and visual interest.

Colorful Drips: Melt Gloop can be applied in larger dots on vertical surfaces to create more dramatic movement and dripping effects using a syringe or applicator bottle. This technique enhances the glaze’s fluidity during firing, allowing it to flow downward. Be cautious of any glaze applied too low on your piece, as it may run off.

Layer Together: Melt Gloop can be layered and marbled with other Melt Gloop colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. This technique enhances both the texture and vibrancy of your finished piece. The more product you apply, the more the glaze will run.

Use with Underglazes and Engobes: Melt Gloop remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Melt Gloop, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Melt Gloop has a broad firing range from cone 5 to cone 10, (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in increased movement and texture. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.

SW-422 Hot Pink Melt Gloop (brush on) Ritual Glaze By Mayco

Cone 6 oxidation: Melt Gloop is a stoneware glaze designed for application in dots or creating a dripping effect down your ceramic piece.

Cone 10 reduction: Increased movement and texture.

Tips for Use:

• Effects are achieved by applying glaze with a syringe or squeeze bottle on greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).
• For a more dynamic effect and a dripping appearance, apply larger dots on a vertical surface.
• The glaze can flow over textured areas.
• For better adhesion, dampen the bisque with a sponge before applying.
• Heavy application or over-handling may cause the glaze to pop off. Handle with care.
• Can be layered and marbled with other Melt Gloop colors.
• When using Melt Gloop over a Stoneware Engobe or Underglaze, it is recommended to bisque fire to cone 04 before applying Melt Gloop.
• Glaze remains dimensional over Underglazes and Stoneware Engobes; flattens under or over a glaze.
• It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion.
• When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips.
• When building layers, it is recommended to apply glaze on the shoulder or rim of the piece to help with adhesion.

Application

Before application: Stir thoroughly using a stick, palette knife, or the end of your brush, as it will be very thick in the jar. For better adhesion, lightly dampen the bisque surface with a sponge before application. Effects are achieved by applying the glaze with a syringe or squeeze bottle. A ceramic glaze syringe with a cap or the Mayco AC220 Detailer Tips and Bottle is recommended for precision. When cutting the Detailer Tip, be careful not to cut too far down, as this can affect the control and flow of the glaze during application.

Basic Application: Apply dots in varying thickness and patterns to greenware or soft-fired, cone 04 stoneware bisque (1940°F/1060°C).  For more movement and a dripping effect, apply larger dots on a vertical surface. The glaze can flow over textured areas. Continuously shake your applicator tool during use to eliminate air bubbles that can disrupt the flow of glaze and cause uneven texture or splatter. Allow the glaze to dry. It is recommended to fire your piece as soon as possible to prevent issues with glaze adhesion. Fire to preferred temperature; cone 5-10 (2167°F-2345°F/ 1186°C-1285°C). Sample tile was fired to cone 6 oxidation (1222°C/2232°F). Testing is recommended. Results may vary. When applied as a horizontal line, the fired glaze effect may separate or break, turning into vertical drips. Heavy application may cause the glaze to pop off.

Storage: Due to the thickness of Melt Gloop, it’s recommended to level out the glaze by gently tapping the product jar onto a table surface after application. This helps alleviate any peaks in the glaze that could lead to drying issues.

Product Usage

Dots in Design: To apply dots in a design pattern using Melt Gloop, begin by using a pea-sized amount to prevent the glaze from running or pooling during firing. Apply the dots with a syringe or applicator bottle, spacing them evenly to maintain a clean and intentional pattern. You can experiment with geometric arrangements like grids or spirals, or opt for organic designs such as vines or waves. For color, you may use single shades for a bold, uniform look, or layer different colors to add depth and visual interest.

Colorful Drips: Melt Gloop can be applied in larger dots on vertical surfaces to create more dramatic movement and dripping effects using a syringe or applicator bottle. This technique enhances the glaze’s fluidity during firing, allowing it to flow downward. Be cautious of any glaze applied too low on your piece, as it may run off.

Layer Together: Melt Gloop can be layered and marbled with other Melt Gloop colors to create stunning visual effects. Allow the first layer to set slightly (loses its glossiness) before adding the next. This technique enhances both the texture and vibrancy of your finished piece. The more product you apply, the more the glaze will run.

Use with Underglazes and Engobes: Melt Gloop remains dimensional when applied over Underglazes and Stoneware Engobes, preserving its raised texture. For best results, it is recommended to bisque fire the Underglaze or Engobe to cone 04 before applying the Melt Gloop, as this helps with adhesion and ensures the glaze performs effectively during the final firing.

Layer with Stoneware Glazes: When used either under or over a glaze, such as Stoneware glazes, the texture may flatten during firing. Despite this change, the technique can still produce interesting and colorful effects, offering a smooth, layered appearance even without the dimensional quality.

Firing Range: Melt Gloop has a broad firing range from cone 5 to cone 10, (2167°F-2345°F /1186°C-1285°C) in both oxidation and reduction firings. Firing at higher temperatures may result in increased movement and texture. Because results can vary based on firing conditions and layering techniques, it’s recommended to test the glaze beforehand.