MB1638 - Lion Facet-ini in Ready to Paint, Cone 04 Low Fire Ceramic Bisque

Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a cone 06 or painted with acrylics and sealed.

5 L x 3.5 W x 5 H

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1637 - Elephant Facet-ini in Ready to Paint, Cone 04 Low Fire Ceramic Bisque

Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a cone 06 or painted with acrylics and sealed.

5.25 L x 3.5 W x 4.25 H

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

CCX3181 Round Spoon Rest in ready to paint, cone 04 Ceramic Bisque

Our Bisque has been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06

5-1/4 Dia

CCX3091 Guacamole Bowl in ready to paint, cone 04 Ceramic Bisque

Our Bisque has been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06

4.5 W x 2-1/4 H 

CCX549 Assorted Flower Dishes (Set of 4) in ready to paint, cone 04 Ceramic Bisque

Our Bisque has been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06

3 Long x 4-1/4 W x 3-3/4 H

CCX360 Large Spoon Rest in ready to paint, cone 04 Ceramic Bisque

Our Bisque has been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06

11 inch Long

Deer Mug in ready to paint, cone 04, Ceramic Bisque

4.25 H x 3.5 Dia

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

CCX059 Margarita Glass - in Ceramic Bisque by Duncan.

All of our bisque is fired to a cone 04 and is ready to glaze and fire to a cone 06

6-1/4 H x 4-1/4 Dia

This item is unpainted.

You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

Cute Lion Bank in ready to paint, cone 04 ceramic bisque

5 inch Tall

C18470 Round Ball Ornament

4 Dia.

Low-Fire, Ready to Paint, Ceramic Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 06 

CXS106 Potter Bowl

6-5/8 Dia. x 2-3/4 H 

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS102 Cascade Ware Bowl

7-1/2 Dia. x 3 H

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CCX4031 T-Rex Skull

4-1/4 L x 7-1/2 W x 5-3/4 H

Low Fire, Ready to Paint, Ceramic Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 06 or can be painted with acrylics and sprayed sealed

CCX4005 Unicorn Ring Dish

4-1/2 x 4-1/2 x 3.5 H

Low Fire, Ready to Paint, Ceramic Bisque.

This bisque item has been fired to a cone 04 and is ready to paint and fire to a cone 06 or can be painted with acrylics and sprayed sealed

FINELINE 20 GAUGE Single Bottle 1.25 ounce bottle

Top will fit all Mayco 1.25-oz bottles.

Item #5564

Fine-line Applicators for Ceramic and Pottery

The Fine-line Applicator is a precision applicator with an air-tight, non- clogging, cap wire closure system. The non-clogging cap/wire design ensures the applicator and liquid are always ready for immediate use. Various tip sizes allow most all viscosity to be distributed through the Fine-line Applicator system. The most popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.

There are also four cap sizes available which offer the possibility of screwing an applicator on an existing bottle of liquid.

Fine-line Applicators can be easily customized for any liquid or application used in ceramics today.

• Fine-line Applicators are:
• Simple to Use
• Non-Clogging
• Air-tight Cap Wire Closure
• Reusable / Durable Tool
• Tips Available in Different Sizes and Lengths
• Easy Handling Oval bottles or "Pen like" Cylinder Bottles

• Include an easy-handling oval bottle
• Absolutely guaranteed
• Precise - Allows for precise placement of liquids on materials such as Paper, Canvas, Glass, Ceramics, Wood, Metal and Fabric.
• Versatile - Can be used with a wide variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and Water=based Adhesives.
• Works as a drawing tool - Able to make Free-hand Designs, Precision Spots, and Continuous Lines
• Different Size Dispensing Tips - Accommodates diverse liquids of varying viscosities.
• Air-Tight - With cap wire closure, bottles remain air-tight preventing liquids from degrading or drying out. Always ready for use, which is particularly important with liquids such as acrylics which dry very quickly.

FINELINE 20 GAUGE 3-pack with  1 ounce bottle tubes

3 to a package

Top will fit all Mayco 1.25-oz bottles.

Item #8132

Fine-line Applicators for Ceramic and Pottery

The Fine-line Applicator is a precision applicator with an air-tight, non- clogging, cap wire closure system. The non-clogging cap/wire design ensures the applicator and liquid are always ready for immediate use. Various tip sizes allow most all viscosity to be distributed through the Fine-line Applicator system. The most popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.

There are also four cap sizes available which offer the possibility of screwing an applicator on an existing bottle of liquid.

Fine-line Applicators can be easily customized for any liquid or application used in ceramics today.

• Fine-line Applicators are:
• Simple to Use
• Non-Clogging
• Air-tight Cap Wire Closure
• Reusable / Durable Tool
• Tips Available in Different Sizes and Lengths
• Easy Handling Oval bottles or "Pen like" Cylinder Bottles

• Include an easy-handling oval bottle
• Absolutely guaranteed
• Precise - Allows for precise placement of liquids on materials such as Paper, Canvas, Glass, Ceramics, Wood, Metal and Fabric.
• Versatile - Can be used with a wide variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and Water=based Adhesives.
• Works as a drawing tool - Able to make Free-hand Designs, Precision Spots, and Continuous Lines
• Different Size Dispensing Tips - Accommodates diverse liquids of varying viscosities.
• Air-Tight - With cap wire closure, bottles remain air-tight preventing liquids from degrading or drying out. Always ready for use, which is particularly important with liquids such as acrylics which dry very quickly.

FINELINE 18 GAUGE 3-pack with  1 ounce bottle tubes

3 to a package

Top will fit all Mayco 1.25-oz bottles.

Item #8133

Fine-line Applicators for Ceramic and Pottery

The Fine-line Applicator is a precision applicator with an air-tight, non- clogging, cap wire closure system. The non-clogging cap/wire design ensures the applicator and liquid are always ready for immediate use. Various tip sizes allow most all viscosity to be distributed through the Fine-line Applicator system. The most popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.

There are also four cap sizes available which offer the possibility of screwing an applicator on an existing bottle of liquid.

Fine-line Applicators can be easily customized for any liquid or application used in ceramics today.

• Fine-line Applicators are:
• Simple to Use
• Non-Clogging
• Air-tight Cap Wire Closure
• Reusable / Durable Tool
• Tips Available in Different Sizes and Lengths
• Easy Handling Oval bottles or "Pen like" Cylinder Bottles

• Include an easy-handling oval bottle
• Absolutely guaranteed
• Precise - Allows for precise placement of liquids on materials such as Paper, Canvas, Glass, Ceramics, Wood, Metal and Fabric.
• Versatile - Can be used with a wide variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and Water=based Adhesives.
• Works as a drawing tool - Able to make Free-hand Designs, Precision Spots, and Continuous Lines
• Different Size Dispensing Tips - Accommodates diverse liquids of varying viscosities.
• Air-Tight - With cap wire closure, bottles remain air-tight preventing liquids from degrading or drying out. Always ready for use, which is particularly important with liquids such as acrylics which dry very quickly.

FINELINE with 15-18-20 GAUGE Top 3-pack with  1 ounce bottle tubes

one of each gauge bottle top.

3 to a package

Top will fit all Mayco 1.25-oz bottles.

Item #8135

Fine-line Applicators for Ceramic and Pottery

The Fine-line Applicator is a precision applicator with an air-tight, non- clogging, cap wire closure system. The non-clogging cap/wire design ensures the applicator and liquid are always ready for immediate use. Various tip sizes allow most all viscosity to be distributed through the Fine-line Applicator system. The most popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.

There are also four cap sizes available which offer the possibility of screwing an applicator on an existing bottle of liquid.

Fine-line Applicators can be easily customized for any liquid or application used in ceramics today.

• Fine-line Applicators are:
• Simple to Use
• Non-Clogging
• Air-tight Cap Wire Closure
• Reusable / Durable Tool
• Tips Available in Different Sizes and Lengths
• Easy Handling Oval bottles or "Pen like" Cylinder Bottles

• Include an easy-handling oval bottle
• Absolutely guaranteed
• Precise - Allows for precise placement of liquids on materials such as Paper, Canvas, Glass, Ceramics, Wood, Metal and Fabric.
• Versatile - Can be used with a wide variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and Water=based Adhesives.
• Works as a drawing tool - Able to make Free-hand Designs, Precision Spots, and Continuous Lines
• Different Size Dispensing Tips - Accommodates diverse liquids of varying viscosities.
• Air-Tight - With cap wire closure, bottles remain air-tight preventing liquids from degrading or drying out. Always ready for use, which is particularly important with liquids such as acrylics which dry very quickly.

FINELINE 20 GAUGE GAUGE APPLICATOR TOP 

3 to a package

Designed to fit Mayco 2-oz bottles.

Item #5560

Fine-line Applicators for Ceramic and Pottery

The Fine-line Applicator is a precision applicator with an air-tight, non- clogging, cap wire closure system. The non-clogging cap/wire design ensures the applicator and liquid are always ready for immediate use. Various tip sizes allow most all viscosity to be distributed through the Fine-line Applicator system. The most popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.

There are also four cap sizes available which offer the possibility of screwing an applicator on an existing bottle of liquid.

Fine-line Applicators can be easily customized for any liquid or application used in ceramics today.

• Fine-line Applicators are:
• Simple to Use
• Non-Clogging
• Air-tight Cap Wire Closure
• Reusable / Durable Tool
• Tips Available in Different Sizes and Lengths
• Easy Handling Oval bottles or "Pen like" Cylinder Bottles

• Include an easy-handling oval bottle
• Absolutely guaranteed
• Precise - Allows for precise placement of liquids on materials such as Paper, Canvas, Glass, Ceramics, Wood, Metal and Fabric.
• Versatile - Can be used with a wide variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and Water=based Adhesives.
• Works as a drawing tool - Able to make Free-hand Designs, Precision Spots, and Continuous Lines
• Different Size Dispensing Tips - Accommodates diverse liquids of varying viscosities.
• Air-Tight - With cap wire closure, bottles remain air-tight preventing liquids from degrading or drying out. Always ready for use, which is particularly important with liquids such as acrylics which dry very quickly.

FINELINE 18 GAUGE Single Bottle 1.25 ounce bottle

Top will fit all Mayco 1.25-oz bottles.

Item #5564

Fine-line Applicators for Ceramic and Pottery

The Fine-line Applicator is a precision applicator with an air-tight, non- clogging, cap wire closure system. The non-clogging cap/wire design ensures the applicator and liquid are always ready for immediate use. Various tip sizes allow most all viscosity to be distributed through the Fine-line Applicator system. The most popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.

There are also four cap sizes available which offer the possibility of screwing an applicator on an existing bottle of liquid.

Fine-line Applicators can be easily customized for any liquid or application used in ceramics today.

• Fine-line Applicators are:
• Simple to Use
• Non-Clogging
• Air-tight Cap Wire Closure
• Reusable / Durable Tool
• Tips Available in Different Sizes and Lengths
• Easy Handling Oval bottles or "Pen like" Cylinder Bottles

• Include an easy-handling oval bottle
• Absolutely guaranteed
• Precise - Allows for precise placement of liquids on materials such as Paper, Canvas, Glass, Ceramics, Wood, Metal and Fabric.
• Versatile - Can be used with a wide variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and Water=based Adhesives.
• Works as a drawing tool - Able to make Free-hand Designs, Precision Spots, and Continuous Lines
• Different Size Dispensing Tips - Accommodates diverse liquids of varying viscosities.
• Air-Tight - With cap wire closure, bottles remain air-tight preventing liquids from degrading or drying out. Always ready for use, which is particularly important with liquids such as acrylics which dry very quickly.

FINELINE 18 GAUGE APPLICATOR TOP 

3 to a package

Designed to fit Mayco 2-oz bottles.

Item #5559

Fine-line Applicators for Ceramic and Pottery

The Fine-line Applicator is a precision applicator with an air-tight, non- clogging, cap wire closure system. The non-clogging cap/wire design ensures the applicator and liquid are always ready for immediate use. Various tip sizes allow most all viscosity to be distributed through the Fine-line Applicator system. The most popular tip sizes are 15 gauge-1, 18 gauge-1 and 20 gauge-1.

There are also four cap sizes available which offer the possibility of screwing an applicator on an existing bottle of liquid.

Fine-line Applicators can be easily customized for any liquid or application used in ceramics today.

• Fine-line Applicators are:
• Simple to Use
• Non-Clogging
• Air-tight Cap Wire Closure
• Reusable / Durable Tool
• Tips Available in Different Sizes and Lengths
• Easy Handling Oval bottles or "Pen like" Cylinder Bottles

• Include an easy-handling oval bottle
• Absolutely guaranteed
• Precise - Allows for precise placement of liquids on materials such as Paper, Canvas, Glass, Ceramics, Wood, Metal and Fabric.
• Versatile - Can be used with a wide variety of mediums including Acrylics, Inks, Gutta, Watercolors, Silk Dyes, Fabric Paints, Stains, Henna, Masking and Resist Fluid, Glazes and Water=based Adhesives.
• Works as a drawing tool - Able to make Free-hand Designs, Precision Spots, and Continuous Lines
• Different Size Dispensing Tips - Accommodates diverse liquids of varying viscosities.
• Air-Tight - With cap wire closure, bottles remain air-tight preventing liquids from degrading or drying out. Always ready for use, which is particularly important with liquids such as acrylics which dry very quickly.

EZ112 Lilac
Dinnerware safe with clear 

Cone 06: Lilac is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6: Lightens slightly. SW001 Stoneware Clear recommended.

Achieving the perfect look is easy with E-Z Stroke Under glazes! Their intense pigment allows for high definition and decoration on your pieces.

Create a watercolor effect with one simple stroke or add shading and depth with additional strokes.

E-Z Stroke Underglazes are ideal for airbrushing, antiquing and brushwork. They can be applied directly to greenware or bisque and layered over most underglazes, allowing the base-coat to show through. They are safe for serving food when coated with a food-safe clear glaze.

How to use E-Z Stroke Translucent Underglazes

1. Apply 1 coat for translucent designs to greenware, unfired glaze, soft-fired bisque or cone 04 bisque.

2. For rich depth and shading, apply additional coats.

3. Fire to shelf cone 04.

4. Apply Clear Glaze, stilt and fire to shelf cone 06.

5. Water clean-up.

Tips & Techniques

1. E-Z Stroke Underglazes may be applied over most underglazes, and other E-Z Stroke colors, allowing the base color to show through.

2. E-Z Stroke Underglazes work well with high fire, cone 5-6 and some to cone 10. As high results vary, we recommend firing a test piece.

3. For majolica, apply E-Z Stroke design work over unfired White Satin glaze.

4. As a pure pigment-based paint, E-Z Stroke Underglazes are the simplest form of fired color. You can use E-Z Stroke Underglazes just like watercolors, in layers of transparent/translucent, bold, pure color. And, just like watercolors, you can inter-mix all the E-Z Stroke colors. Just as for typical watercolors, these paints must be mixed with water to be applied properly to greenware or soft fired bisque for the best application. E-Z Stroke Underglazes are very fragile unfired, because when the water dries out of the pigment there are no binders holding it in place. E-Z Stroke Underglazes fires into the ware at an 04 or hotter cone, although most of the pigments will hold true up to a cone 10. This broad firing range allows artists to use E-Z Stroke Underglazes on almost all clay bodies

5. E-Z Stroke Underglazes are perfect for airbrushing.

6. Use E-Z Stroke Underglazes to tint clay slip, most glazes, fired Snow and other E-Z Stroke colors.

7. High definition and detail can be achieved by adding water to E-Z Stroke color and using a very fine brush.

EZ111 - Juniper Green (1-ounce) E-Z Stroke Translucent Underglaze
Dinnerware safe with clear 

Cone 06: Juniper Green is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6: No change. SW001 Stoneware Clear recommended

EZ109 - Creamsicle (1-ounce) E-Z Stroke Translucent Underglaze
Dinnerware safe with clear 

Cone 06: Creamsicle is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6: No change. SW001 Stoneware Clear recommended

EZ110 Cool Blue Translucent Underglaze By Duncan  

Dinnerware safe with clear 

Cone 06 Oxidation: Cool Blue is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6 Oxidation:  No change. SW001 Stoneware Clear recommended

Achieving the perfect look is easy with Duncan E-Z Stroke Translucent Underglazes!  Their intense pigment allows for high definition and decoration on your pieces. Create a watercolor effect with one simple stroke or add shading and depth with additional strokes.

E-Z Stroke Underglazes are ideal for airbrushing, antiquing and brushwork. They can be applied directly to greenware or bisque and layered over most underglazes, allowing the basecoat to show through. They are safe for serving food when coated with a Duncan food-safe clear glaze.

How to use Duncan E-Z Stroke Translucent Underglazes

1. Apply 1 coat for translucent designs to greenware, unfired glaze, soft-fired bisque or cone 04 bisque.

2. For rich depth and shading, apply additional coats.

3. Fire to shelf cone 04.

4. Apply Clear Glaze, stilt and fire to shelf cone 06.

5. Water clean-up.

Tips & Techniques

1. E-Z Stroke Underglazes may be applied over most underglazes, including Cover-Coat and other E-Z Stroke colors, allowing the base color to show through.

2. E-Z Stroke Underglazes work well with high fire, cone 5-6 and some to cone 10. As high results vary, we recommend firing a test piece.

3. For majolica, apply E-Z Stroke design work over unfired White Satin glaze.

4. As a pure pigment-based paint, E-Z Stroke Underglazes are the simplest form of fired color. You can use E-Z Stroke Underglazes just like watercolors, in layers of transparent/translucent, bold, pure color. And, just like watercolors, you can inter-mix all the E-Z Stroke colors. Just as for typical watercolors, these paints must be mixed with water to be applied properly to greenware or soft fired bisque for the best application. E-Z Stroke Underglazes are very fragile unfired, because when the water dries out of the pigment there are no binders holding it in place. E-Z Stroke Underglazes fires into the ware at an 04 or hotter cone, although most of the pigments will hold true up to a cone 10. This broad firing range allows artists to use E-Z Stroke Underglazes on almost all clay bodies

5. E-Z Stroke Underglazes are perfect for airbrushing.

6. Use E-Z Stroke Underglazes to tint clay slip, most glazes, fired Snow and other E-Z Stroke colors.

7. High definition and detail can be achieved by adding water to E-Z Stroke color and using a very fine brush.

CG1015 Cloverfield (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe

Cone 06 oxidation: Matte bright/lime green with blue, green and yellow crystals of varying sizes

Cone 6 oxidation: Base becomes glossy and darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1015 Cloverfield (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe

Cone 06 oxidation: Matte bright/lime green with blue, green and yellow crystals of varying sizes

Cone 6 oxidation: Base becomes glossy and darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

EZ108 Carrot EZ-Stroke by Duncan
Dinnerware safe with clear 

Cone 06:  Carrot is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6:  No change. SW001 Stoneware Clear recommended

Achieving the perfect look is easy with E-Z Stroke Translucent Under glazes! Their intense pigment allows for high definition and decoration on your pieces.
Create a watercolor effect with one simple stroke or add shading and depth with additional strokes.

E-Z Stroke Underglazes are ideal for airbrushing, antiquing and brushwork. They can be applied directly to greenware or bisque and layered over most underglazes, allowing the base-coat to show through. They are safe for serving food when coated with a food-safe clear glaze.

How to use E-Z Stroke Translucent Underglazes

1. Apply 1 coat for translucent designs to greenware, unfired glaze, soft-fired bisque or cone 04 bisque.

2. For rich depth and shading, apply additional coats.

3. Fire to shelf cone 04.

4. Apply Clear Glaze, stilt and fire to shelf cone 06.

5. Water clean-up.

Tips & Techniques

1. E-Z Stroke Underglazes may be applied over most underglazes, and other E-Z Stroke colors, allowing the base color to show through.

2. E-Z Stroke Underglazes work well with high fire, cone 5-6 and some to cone 10. As high results vary, we recommend firing a test piece.

3. For majolica, apply E-Z Stroke design work over unfired White Satin glaze.

4. As a pure pigment-based paint, E-Z Stroke Underglazes are the simplest form of fired color. You can use E-Z Stroke Underglazes just like watercolors, in layers of transparent/translucent, bold, pure color. And, just like watercolors, you can inter-mix all the E-Z Stroke  colors. Just as for typical watercolors, these paints must be mixed with water to be applied properly to greenware or soft fired bisque for the best application. E-Z Stroke Underglazes are very fragile unfired, because when the water dries out of the pigment there are no binders holding it in place. E-Z Stroke Underglazes fires into the ware at an 04 or hotter cone, although most of the pigments will hold true up to a cone 10. This broad firing range allows artists to use E-Z Stroke Underglazes on almost all clay bodies

5. E-Z Stroke Underglazes are perfect for airbrushing.

6. Use E-Z Stroke Underglazes to tint clay slip, most glazes, fired Snow and other E-Z Stroke colors.

7. High definition and detail can be achieved by adding water to E-Z Stroke color and using a very fine brush.

EZ107 Butter
Dinnerware safe with clear 

Cone 06:  Butter is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6:   No change. SW001 Stoneware Clear recommended

Achieving the perfect look is easy with E-Z Stroke Translucent Under glazes! Their intense pigment allows for high definition and decoration on your pieces.
Create a watercolor effect with one simple stroke or add shading and depth with additional strokes.

E-Z Stroke Underglazes are ideal for airbrushing, antiquing and brushwork. They can be applied directly to greenware or bisque and layered over most underglazes, allowing the base-coat to show through. They are safe for serving food when coated with a food-safe clear glaze.

How to use E-Z Stroke Translucent Underglazes

1. Apply 1 coat for translucent designs to greenware, unfired glaze, soft-fired bisque or cone 04 bisque.

2. For rich depth and shading, apply additional coats.

3. Fire to shelf cone 04.

4. Apply Clear Glaze, stilt and fire to shelf cone 06.

5. Water clean-up.

Tips & Techniques

1. E-Z Stroke Underglazes may be applied over most underglazes, and other E-Z Stroke colors, allowing the base color to show through.

2. E-Z Stroke Underglazes work well with high fire, cone 5-6 and some to cone 10. As high results vary, we recommend firing a test piece.

3. For majolica, apply E-Z Stroke design work over unfired White Satin glaze.

4. As a pure pigment-based paint, E-Z Stroke Underglazes are the simplest form of fired color. You can use E-Z Stroke Underglazes just like watercolors, in layers of transparent/translucent, bold, pure color. And, just like watercolors, you can inter-mix all the E-Z Stroke colors. Just as for typical watercolors, these paints must be mixed with water to be applied properly to greenware or soft fired bisque for the best application. E-Z Stroke Underglazes are very fragile unfired, because when the water dries out of the pigment there are no binders holding it in place. E-Z Stroke Underglazes fires into the ware at an 04 or hotter cone, although most of the pigments will hold true up to a cone 10. This broad firing range allows artists to use E-Z Stroke Underglazes on almost all clay bodies

5. E-Z Stroke  Underglazes are perfect for airbrushing.

6. Use E-Z Stroke Underglazes to tint clay slip, most glazes, fired Snow and other E-Z Stroke colors.

7. High definition and detail can be achieved by adding water to E-Z Stroke color and using a very fine brush.

CG1016 Asteroid (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors

Not dinnerware safe

Cone 06 oxidation: Matte grey with black and white crystals 

Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and color turns blueish grey; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1016 Asteroid (Pint) Jungle Gem Crystal Glaze by Mayco Colors

Not dinnerware safe

Cone 06 oxidation: Matte grey with black and white crystals 

Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and color turns blueish grey; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1014 Pink Plum (Pint) Jungle Gem Crystal Glaze by Mayco Colors

Not dinnerware safe

Cone 06 oxidation: Matte pink with purple and white crystals 

Cone 6 oxidation: Base becomes glossy and lightens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and lightens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1014 Pink Plum (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors

Not dinnerware safe

Cone 06 oxidation: Matte pink with purple and white crystals 

Cone 6 oxidation: Base becomes glossy and lightens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and lightens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1010 Periwinkle Sky (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe

Cone 06 oxidation: Light purple with small gold and large white crystals 

Cone 6 oxidation: Base darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1010 Periwinkle Sky (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe

Cone 06 oxidation: Light purple with small gold and large white crystals 

Cone 6 oxidation: Base darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base darkens; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1013 Papaya  (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe

Cone 06 oxidation: Matte orange with black, orange and tan crystals

Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and color fades; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1013 Papaya (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe

Cone 06 oxidation: Matte orange with black, orange and tan crystals

Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and color fades; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1012 Haystack  (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe

Cone 06 oxidation: Matte pale yellow with tan and orange crystals 

Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and color fades; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1012 Haystack (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe

Cone 06 oxidation: Matte pale yellow with tan and orange crystals 

Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and color fades; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1011 Frosted Berries (Pint) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe:    

Cone 06 oxidation: Matte white with large purple and small blue crystals

Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and fades to white; pink crystals fade but blue crystals remain and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1011 Frosted Berries  (4-ounce) Jungle Gem Crystal Glaze by Mayco Colors
Not dinnerware safe:    

Cone 06 oxidation: Matte white with large purple and small blue crystals

Cone 6 oxidation: Base becomes glossy but color remains; crystals fade and melt. Enhanced mobility. Surface issues may occur.

Cone 10 Oxidation: Base becomes glossy and fades to white; pink crystals fade but blue crystals remain and melt. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

13 x 3/8 HDPE (Blue) Plastic Super Star Bat

Key Benefits

• Longest Life

• Water Proof

• Releases Clay Easily

• Light Crinkled Textured Finish 

HDPE (Blue) Plastic Bats are 3/8 inch thick with a textured finish on both sides to hold and release clay more easily. Standard drill is two holes 10 inch center-to-center to fit Brent, new Pacificia, Soldner and many others. 

13 inch Universal Bat System with 9 inserts

Key Benefits

• Saves Shelf Space
• Inserts Remove Easily, But Fit Snuggly
• Great for Throwing Pieces With A Small "Footprint"

---

The Universal Insert Bat System, saves a great amount of shelf space when making pieces with a small "footprint". The outer bat is 1/2 inch thick Medex and the inserts are 1/4 inch thick which fit flush with the top of the outer bat. The inserts in 13 inch bats are 5-1/2 x 5-1/2 inches. Inserts remove easily yet fit snugly enough that the cavity stays free of clay and slurry.

5 1/2 x 5 1/2 x1/4 Forever Insert Bats for universal bat system (Ctn. of 12)

Key Benefits

• Saves Shelf Space
• Inserts Remove Easily, But Fit Snuggly
• Great for Throwing Pieces With A Small "Footprint"

---

The Universal Insert Bat System, saves a great amount of shelf space when making pieces with a small "footprint". The outer bat is 1/2 inch thick Medex and the inserts are 1/4 inch thick which fit flush with the top of the outer bat. The inserts in 13 inch bats are 5-1/2 x 5-1/2 inches. Inserts remove easily yet fit snugly enough that the cavity stays free of clay and slurry.

15 x 3/8 HDPE (Blue) Plastic Super Star Bat

Key Benefits

• Longest Life

• Water Proof

• Releases Clay Easily

• Light Crinkled Textured Finish 

HDPE (Blue) Plastic Bats are 3/8 inch thick with a textured finish on both sides to hold and release clay more easily. Standard drill is two holes 10 inch center-to-center to fit Brent, new Pacificia, Soldner and many others. 

21 x 3/8 Iron Star Medex Bat  

Iron Star Bats are a 3/8-inch-thick wood product without formaldehyde.  Handles clay like wood or Forever bats. 

Water-proof, no warping and extremely strong.

Will not degrade like particle board. More expensive but PERMANENT

Key Benefits

• Non-Warping
  
• Water-Proof
• Extremely Strong 

Medex Construction

21-inch Round Bat 

18 x 3/8 Iron Star Medex Bat  

Iron Star Bats are a 3/8-inch-thick wood product without formaldehyde.  Handles clay like wood or Forever bats. 

Water-proof, no warping and extremely strong.

Will not degrade like particle board. More expensive but PERMANENT

Key Benefits

• Non-Warping
  
• Water-Proof
• Extremely Strong 

Medex Construction

18-inch Round Bat 

15 x 3/8 Iron Star Medex Bat  

Iron Star Bats are a 3/8-inch-thick wood product without formaldehyde.  Handles clay like wood or Forever bats. 

Water-proof, no warping and extremely strong.

Will not degrade like particle board. More expensive but PERMANENT

Key Benefits

• Non-Warping
  
• Water-Proof
• Extremely Strong 

Medex Construction

15-inch Round Bat 

13 x 3/8 Iron Star Medex Bat  

Iron Star Bats are a 3/8-inch-thick wood product without formaldehyde.  Handles clay like wood or Forever bats. 

Water-proof, no warping and extremely strong.

Will not degrade like particle board. More expensive but PERMANENT

Key Benefits

• Non-Warping
  
• Water-Proof
• Extremely Strong 

Medex Construction

13-inch Round Bat 

15 x 1/4 Forever Bat

Key Benefits

• Long Life
• Water Resistant
• Least Expensive 

Forever bats are 1/4 inch thick, smooth on both sides. Standard drill is two holes 10 inch center-to-center to fit Brent, New Pacificia, Soldner and many others. 

Wood & Resin Construction

15 Round Bat 

13 x 1/4 Forever Bat

Key Benefits

• Long Life
• Water Resistant
• Least Expensive 

Forever bats are 1/4 inch thick, smooth on both sides. Standard drill is two holes 10 inch center-to-center to fit Brent, New Pacificia, Soldner and many others. 

Wood & Resin Construction

13-inch Round Bat 

The Steve Tool by MKM Pottery Tools

The Steve Tool is a texture application tool. One tool can be configured in many ways for different texture results. Textured surfaces can add another layer of interest to your thrown and slab forms.

SCS-198- Daisy with Leaves Small Round Stamp 

SCM Stamps are 1.5 cm (0.6 inch) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCM-287 - Cone Flower Medium Round Stamp 

SCM Stamps are 2.5 cm (1 inch) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCM-286 - Latte Art Medium Round Stamp

SCM Stamps are 2.5 cm (1 inch) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCM-282 - Monstera Leaf Medium Round Stamp 

SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCM-276 - Leaves on a Branch Medium Round Stamp 

SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCM-270 - Daisy with Leaves Medium Round Stamp 

SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCM-269 Bicycle Medium Round Stamp

SSM Stamps are 3 x 3 cm (1.2 x 1.2 inches) square.

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our SSM Stamps have designs on each end, Stamps above a 100 have an embossed and debossed design.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

BHR-160 - Wandering Waves Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-159 - Plum Blossoms Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-158 - Zigzag Layered Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

MB1631 Tall Corn Pumpkin in ready to paint, cone 04, Ceramic Bisque by Mayco Colors

5.25 L x 5 W x 8 H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1629 Snail Planter in Ceramic Cone 04 Bisque By Mayco Colors

7.5L x 5.5 W x 4.75 T 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1636 Small Tree Silhouette in ready to paint, cone 04, Ceramic Bisque by Mayco Color

6.5 L x 2 W x 9 H

you are purchasing an un-finished, ready to paint, piece of pottery

MB1634 Small Jolly Christmas Tree in Ceramic Cone 04 Bisque by Mayco Colors

6.75 x 2 W x 9 H

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1632 Short Corn Pumpkin in ready to paint, cone 04, Ceramic Bisque by Mayco Colors

5.5 L x 5.25 W x 6 H 

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery

MB1630 Owl Planter in Ceramic Cone 04 Bisque By Mayco Colors

5.5 L x 5.75 W x 5.5 H

This item is unpainted.
You are purchasing an unfinished, Ready to Paint, Piece of Ceramic Pottery