E-Z  Stroke Translucent Underglaze Kit

EZKIT-1 includes 1 each of the following in 1-ounce jars

EZ013 White
EZ101 Neon Yellow
EZ058 Poppy Orange
EZ075 Passion Red
EZ030 Rose
EZ050 Plum Purple
EZ023 Midnight Blue
EZ027 Blue Turquoise
EZ024 Royal Blue Green
EZ028 Leaf Green
EZ010 French Brown
EZ012 Cobalt Jet Black

Duncan Bisq-Stain Opaque Acrylics Kit

OSKIT1 

Contains 12 2oz. jars of the most popular Duncan Bisq-Stain Opaque Acrylics.

• OS431 White
• OS435 Dark Yellow
• OS438 Orange Peel
• OS483 Real Red
• OS444 Light Pink
• OS459 Bright Blue
• OS469 Light Turquoise
• OS488 Christmas Green
• OS452 Purple
• OS441 Cargo Pants
• OS489 Saddle Brown
• OS476 Black

You don’t have to wait for a rainy day to capture the essence of a rainbow! With Duncan® Bisq-Stain® Opaque Acrylics, you can cover your pieces in a wealth of rich, vibrant colors that can be mixed to create even more tones, tints and shades.

Bisq-Stain Opaque Acrylics provide solid coverage for your pieces and are water-based for easy cleanup. Use them with stencils, sponging, dry-brushing and other decorative painting techniques.

How to use Duncan® Bisq-Stain® Opaque Acrylics

1. Apply 1 or more good, smooth coats.

2. Thin with water or Thin 'n Shade if needed.

3. Clean up with water.

4. Seal with ceramic spray or brush-on sealer.

Tips & Techniques

1. Bisq-Stain Opaque’s are wonderful for base coats, brushwork, stenciling, sponging, dry-brushing and tole and decorative painting.

2. Bisq-Stain Opaque Acrylics work great for air brushing

Fundamentals Underglaze Assortment Kit by Mayco Colors

UG-KT1

Contains 12 - 16-ounce jars of the best selling Fundamentals Underglazes

Includes:
UG-51 China White
UG-46 Bright Yellow
UG-204 Orange
UG-206 Fire Engine Red
UG-208 Dragon Red
UG-87 Regal Purple
UG-97 Bright Blue
UG-1 Kings Blue
UG-68 Apple Green
UG-21 Leaf Green
UG-31 Chocolate
UG-50 Jet Black

Classic & Timeless  

Underglazes was the first product line our company produced in 1954 and continue to be a staple for many ceramic artists. Mayco Underglazes are highly versatile – use for complete coverage or in design, apply to clay or bisque, fires from cone 04 to cone 10. Whether used by a student making his first pinchpot or by a fine artist making gallery quality work, Mayco Underglazes will stand the tests of time and demand in performance.

General Use

Apply to green-ware or shelf cone 04 bisque. For best results, apply color in a flowing motion, keeping brush adequately loaded with glaze. Allow first coat to dry. Apply second coat at a right angle to first coat. If desired, apply third coat at right angle to second coat. If applied to green-ware, fire to shelf cone 04. If desired, apply clear glaze and re-fire to shelf cone 06/05. If applied to bisque, clear glaze can be applied directly to the unfired Underglaze and then fired to shelf cone 06/05.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section "Usage Variations and FAQ's". 
 

• Underglazes can be used directly from the jar, but should be put out onto a tile to avoid possible contamination of the remaining product in the jar. Make sure the consistency is like melted ice cream. 

• Apply to greenware, clay or bisque. Lightly dampening the ware with a moistened sponge before painting allows better adhesion to the ware. 

• Dip a dampened, blotted brush into the color. Fully load the brush without dragging the brush on the side of the tile. Apply the color in a flowing motion; if it starts to drag, reload the brush. The clay will absorb the moisture from the color, so care has to be used when applying.

• As you flow the color on, avoid ridges and runs. Brush these flaws out as you apply the color. On an embossed piece do not allow excess color to build up. Brush the excess out of the crevices as you apply the underglaze. 

• Apply the first coat. When the dark wet look has disappeared, apply the second coat at a right angle to the first. The third is then applied at a right angle to the second coat. This will assure better coverage.

• Underglazes can also be applied by sponging and spattering. 

• Generally a clear glaze finish is applied after to bring out the true color and vividness of the product.

• If applying to greenware or clay, fire first to cone 04 then apply a transparent glaze and fire to cone 06. If applying to bisque allow the Underglazes to dry and apply clear glaze and fire to cone 06/05 

• Opaque Underglazes are not true color out of the jar. Firing is required to mature their color.

• Colors can be intermixed for custom colors. Underglazes can be fired to higher temperatures.

Usage Variations and FAQs

Q. What is meant by "polishing" an Underglaze?

A. While opaque underglazes can be applied to ware in many ways from brushing to sponging, there is an interesting technique that has survived the tests of time. One of the most striking looks can be achieved by polishing the surface of the color to produce a soft sheen, and then leaving it unglazed. The finished surface resembles earthenware. This technique cannot be obtained by any other method and is unique to opaque underglazes. The beautiful surface is achieved by buffing the opaque underglaze while it is still damp. While the surface is somewhat sealed, it will not be waterproof. This technique is only used on decorative items and is not suitable for surfaces that come into contact with food or drink. This technique creates a great background for spot glazing using a gloss or matte glaze. A smooth surfaced piece works best for polishing Underglazes rather than an embossed piece. Care must be taken to avoid removing the color from sharp angles and rims. It is easy to scratch the ware accidentally with your fingernails, etc. Be careful when applying the color as any ridges or buildup of color will affect the end result. Use a silk sponge to apply the color to eliminate some of these problems and to give a different look. Some colors polish better than others do. Apply three coats of underglaze with a brush, in the usual manner, to assure all over coverage. Apply the colors very evenly and smoothly. Do not allow prolonged drying time between the coats. Thin the same color with water in equal proportions, mix well. Using a ball of soft facial tissue or soft T-shirt material, apply the thinned mixture to a small area about the size of the palm of your hand. When the shiny wet look disappears and the color will not stick to the pad, polish that area briskly. The pressure should be light and the movement fast. It is the friction from the polishing that develops the sheen. Continue to apply the diluted color mixture to a small area at a time, each one slightly overlapping the previous one, until the entire piece has been polished. Now buff the entire surface again, without wetting, until a high sheen has developed. If the color looks blotchy, this will disappear as the piece dries. If you wish to add a design using other opaque Underglazes, be careful not to mar the surface. Use a soft cloth to hold the piece to protect it from body oils and moisture. Wait until the piece has thoroughly dried before tracing the design so the pressure of the transferring does not mar the surface.

WC886 B MIX/GROG PAPER ^10 MOIST CLAY

Cone 10 B-Mix clay with the addition of a very fine grog; provides a smooth fired texture and light speckling.

Has the plastic nature and glaze friendly creamy color of B-Mix with Grog and all the added qualities of paper clay. It is a great choice for sculptural vessels and has the positive throwing qualities you expect from B-Mix with Grog.


Characteristics
Cone: 10
Wet Color: Cream
Fire Color
Oxidation: Off-White
Reduction: Gray-White
Texture: Slightly Coarse
Pentrometer Target: 7
Avg. Shrinkage ±2%: 11%
Avg. Water Absorption ±1%: 5%
COE x 10-6: 6.42

Application: 

Wall Tile, Jewelry, Sculpture, Throwing Large, Throwing Medium, Throwing Small, Hand Building Large, Hand Building Medium, Hand Building Small

SD515 Aqua Gloss Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Aqua Gloss is a highly pigmented, gloss glaze. The highly stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures.

Cone 10 reduction: Color shifts to baby blue. Remains stable.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.

Stoneware Gloss Glazes can be used in design, all over coverage and are the ideal product for intermix ability at mid-range and high-fire temperatures. The integrity of your design will remain unchanged as these glazes are incredibly stable and will not move or combine with surrounding colors.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.

 Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SD514 Sage Gloss Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Sage Gloss is a highly pigmented, gloss glaze. The highly stable qualities of this glaze make it ideal

for design work and full opaque coverage at mid-range temperatures.

Cone 10 reduction: Color shifts to bluish green. Remains stable.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque

colors.

Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.
Stoneware Gloss Glazes can be used in design, all over coverage and are the ideal product for intermix ability at mid-range and high-fire temperatures. The integrity of your design will remain unchanged as these glazes are incredibly stable and will not move or combine with surrounding colors.
AP
Dinnerware Safe 

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW221-10 Mint Speck Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Mint Speck is a satin-matte, semi-opaque mint green that breaks over texture. Contains small purple, orange and yellow specks. This glaze is highly stable.

Cone 10 reduction: Changes to a glossy, transparent pale blue. Specks blur and lose definition with increased application thickness. Remains stable.

Tip: Mint Speck uses SW135 Wintergreen as the base glaze. We recommend firing our matte glazes to cone 6 to produce a satin matte finish. Upon opening, specks will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.

 Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW223-10 Milk Glass Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Milk Glass is a glossy, semi-opaque white glaze that breaks transparent over texture. This glaze is stable.

Cone 10 reduction: Color shifts to blue with white float. Remains stable.

Tip: This glaze works well in combination with other glazes.erware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW224-10 Tropical Teal Dry Cone 5 Mid-Range Glaze by Mayco Colors in 10-pound Dry form.

Cone 6 results: Tropical Teal is a glossy, semi-opaque teal glaze with a mottled float that breaks over texture. This glaze is stable.

Cone 10 reduction: Enhanced green undertone. Remains stable.

Tip: Blue is enhanced with increased application thickness.

 Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW220-10 Black Timber Cone 5 Mid-Range Glaze by Mayco Colors in 10-Pound Dry form.

Cone 6 results: Black Timber is a satin, opaque, mottled brown glaze that breaks over texture. Contains glossy brown crystals. Base color is stable; crystals can create movement.

Cone 10 reduction: Color darkens. Remains stable.

Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

1121 Satin White 1100 Series Cone 4-6 Opaque Gloss Glaze by Spectrum

16-ounce container

AP, Non-Toxic, Dinnerware Safe

The Cone Stoneware Reactive Glazes are all lead-Free and dinnerware safe. 
They are formulated to produce interesting and beautiful effects after firing.
Their final appearance can be affecting by different clay bodies and also the presence or layering of other glazes.

Due to the sensitivity of these glazes, Cone 5 is our recommended firing temperature.

V-308 Yellow - Velvet Underglaze in 2 ounce Size Container 

Yellow Velvet Underglaze is a bright lemon yellow that is vivid at cone 05. It is still bright, but less saturated at cone 05 and becomes pale at cone 10. A clear glaze over Yellow darkens the color slightly, but has less of an effect at higher temperatures.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-360 White - Velvet Underglaze in 2-ounce Size Container 

White Velvet Underglaze is a snow-white color that is bright and minty at cone 05, softens at cone 5, and becomes slightly warmer at cone 10, while maintaining a clean white color. A clear glaze accentuates the underglaze at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-380 Violet - Velvet Underglaze in 2-ounce Size Container 

Violet Velvet Underglaze is a light plum color that is soft at cone 05, darkens at cone 5, and becomes a deep lilac color that begins to burn out at cone 10. A clear glaze accentuates the color of the underglaze nicely at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-327 Turquoise Blue - Velvet Underglaze in 2-ounce Size Container 

Turquoise Blue Velvet Underglaze is a blue green color that is cyan at cone 05, deeper at cone 5, and very dark at cone 10. This underglaze maintains its color well under a clear glaze at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-303 Terra Cotta - Velvet Underglaze in 2-ounce Size Container 

Terra Cotta Velvet Underglaze is a warm cinnamon brown that is much darker with a clear glaze on top at any temperature. At cone 05, it is red-brown and reminiscent of the clay it is named after. It darkens at cone 5 and becomes a deep chocolate color at cone 10.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

Suspendaid (Pint) Specialty Product by Amaco

Brushing glazes may be altered to achieve the consistency of dipping and pouring glazes with the simple addition of distilled water and AMACO SuspendAid. This specially formulated mixture is also designed to help prevent the settling of glazes, especially ones to which additional water has been added.

Water is sometimes added to a glaze to obtain a more subtle shade of the color or to facilitate a different type of application besides brushing. Settling of the glaze is often the consequence. AMACO SuspendAid, when added to these glazes, can help prevent hard settling and fulfill application requirements.

CR-61 Speckled Yellow Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-61 is a glossy yellow glaze with black specks that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. The featured chip image of CR-61 is applied on AMACO no.11 A-Mix White Stoneware.   

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

CR-12 Speckled White Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-12 is a glossy white glaze with black specks that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-12 is applied on AMACO No.30 Milk Chocolate Clay.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze

CR-22 Speckled Teal Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-22 is a glossy teal glaze with black specks that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-22 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

CR-51 Speckled Pink Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-51 is a glossy pink glaze with black specks that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-51 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

CR-18 Speckled Flux Crawl - Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-18 is a glossy blush glaze with black specks designed for layering that when fired, crawls into organic shapes, adding color variation to the underlying glaze. The result is a unique, multidimensional effect with subtle depth. 

The featured chip image of CR-18 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

V-329 Sea Glass Blue - Velvet Underglaze in 2-ounce Size Container 

Sea Glass Blue underglaze is a very pale blue-green color at cone 05 and becomes richer and darker under a clear glaze.
It remains the same at cone 5, but fired to cone 10 becomes more blue.

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-318 Rose - Velvet Underglaze in 2-ounce Size Container 

Rose Velvet Underglaze is a deep magenta that is dark at cone 05 and becomes patchy at cone 5 before it burns out almost completely at cone 10. A clear glaze over Rose will accentuate the color at cone 05 but at cone 5 and 10, there is no color change between glazed and unglazed.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CR-58 Red Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-58 is a glossy red glaze that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-58 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze

V-384 Real Orange - Velvet Underglaze in 2-ounce Size Container 

Real Orange Velvet Underglaze is a luminous orange color that is bright and saturated at cone 05, softens and becomes lighter at cone 5, and slightly warmer and still bright at cone 10. A clear glaze accentuates the color of the underglaze significantly at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CR-54 Purple Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-54 is a glossy purple glaze that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-54 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze

CR-41 Lime Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-41 is a glossy lime-green glaze that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-41 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

V-361 Jet Black - Velvet Underglaze in 2-ounce Size Container 

Jet Black Velvet Underglaze is a cool black color, smooth and velvety at cone 05, darkens at cone 5, and becomes darkest black and slightly glossy at cone 10. A clear glaze deepens and accentuates the underglaze significantly at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

Gum Solution (Pint) Specialty Product by Amaco

Add AMACO Gum Solution to glazes to improve their brush-ability and slow their drying time which results in a more even and consistent application. Old, thick glazes can be brought back to their original creamy consistency by thinning the glaze with water first, then adding about a tablespoon of AMACO Gum Solution, or as much as needed to obtain good brush-ability without drag. AMACO Gum Solution will prevent glazes from drying fast and cracking.

CR-17 Flux Crawl - Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-17 is a glossy blush glaze designed for layering that when fired, crawls into organic shapes, adding color variation to the underlying glaze. The result is a unique, multidimensional effect with subtle depth. 

The featured chip image of CR-17 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze

V-386 Electric Blue - Velvet Underglaze in 2-ounce Size Container 

Electric Blue Velvet Underglaze is a very deep cobalt blue that is vivid at cone 05, darkens significantly at cone 5, and becomes a very dark navy blue at cone 10.

A clear glaze deepens the color of the underglaze significantly at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-353 Dark Green - Velvet Underglaze in 2-ounce Size Container 

Dark Green Velvet Underglaze is a rich green color that is bright and saturated at cone 05, darkens to a forest green at cone 5, and becomes slightly darker at cone 10. A clear glaze deepens the color of the underglaze significantly at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CR-20 Dark Blue Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-20 is a glossy dark blue glaze that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-20 is applied on AMACO No.11 A-Mix White Stoneware.

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

V-314 Chocolate Brown - Velvet Underglaze in 2-ounce Size Container 

Chocolate Brown Velvet Underglaze is a deep brown that is warmest at cone 05. The color darkens at cone 5, and is darkest but less saturated at cone 10. This underglaze looks great beneath a few coats of a clear glaze.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-343 Chartreuse - Velvet Underglaze in 2-ounce Size Container 

Chartreuse Velvet Underglaze is a lime green color that is very bright at cone 05, softens to a mint green at cone 5, and darkens slightly at cone 10. A clear glaze accentuates the color of the underglaze significantly at any temperature.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

V-349 Cactus - Velvet Underglaze in 2-ounce Size Container 

Cactus is a cool light green underglaze that retains color from cone 05 up to cone 6 with minimal darkening. Above cone 6 the color becomes slightly bluer. Clear glaze brightens the color. Cactus underglaze can be used with zinc or non-zinc glazes without color shift.

Safety Warning
Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

CR-1 Black Crawl Glaze Cone 5-6 Mid-Range Glaze by Amaco in 16-oz Pint Sized Container

CR-1 is a glossy black glaze that, when fired, crawls into raised shapes of varying sizes and forms. The result is a surface marked by unpredictable, natural patterns that add unique texture and visual interest to each piece. 

The featured chip image of CR-1 is applied on Amaco Stoneware White

Apply 1-4 even coats of glaze to cone 04 bisque. Allow each coat to dry almost fully, but before any significant cracking occurs. Crawl glazes will develop hairline cracks as they dry; handle with care. For added durability before firing, layer over an AMACO Celadon glaze or underglaze.

More coats create larger glaze dots, while thinner coats produce a finer bead effect. Increased coats will produce more cracks. Fire to cone 5-6 for best results. 

These glazes are food safe when layered over AMACO Celadons.

Due to variations in raw materials used during manufacturing, we recommend firing glazed test tiles before using each new batch number of glaze.

MudMouth - Large by Mud Tools

Our new MudMouth will get you talking! This cool little tool has so many uses

It’s excellent for burnishing, compressing, slip trailing, and more! It's available in small, medium, and large sizes to suit your needs perfectly. Stock your toolbox with one today!

 

Available in THREE sizes  

MUDMOUTH – Small – 1.25 x 2.75 L

MUDMOUTH – Medium – 1.45 x 3.25 L

MUDMOUTH – Large – 1.5 x 3.7 L

MudMouth - Medium by Mud Tools

Our new MudMouth will get you talking! This cool little tool has so many uses

It’s excellent for burnishing, compressing, slip trailing, and more! It's available in small, medium, and large sizes to suit your needs perfectly. Stock your toolbox with one today!

 

Available in THREE sizes  

MUDMOUTH – Small – 1.25 x 2.75 L

MUDMOUTH – Medium – 1.45 x 3.25 L

MUDMOUTH – Large – 1.5 x 3.7 L

MudMouth - Small by Mud Tools

Our new MudMouth will get you talking! This cool little tool has so many uses

It’s excellent for burnishing, compressing, slip trailing, and more! It's available in small, medium, and large sizes to suit your needs perfectly. Stock your toolbox with one today!

 

Available in THREE sizes  

MUDMOUTH – Small – 1.25 x 2.75 L

MUDMOUTH – Medium – 1.45 x 3.25 L

MUDMOUTH – Large – 1.5 x 3.7 L

SB162 Small Vintage Mixing Bowl in ready to paint, Soft-Fired, Cone 04, Mid-Range Stoneware Bisque

8 L x 8 W x 4.25 H

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

SB161 Medium Vintage Mixing Bowl in ready to paint, Soft-Fired, Cone 04, Mid-Range Stoneware Bisque

9.75 L x 9.75 W x 5 H

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

SB160 Large Vintage Mixing Bowl in ready to paint, Soft-Fired, Cone 04, Mid-Range Stoneware Bisque

11.25 L x 11.25 W x 5.75 H

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

SB159 Fluted Cup in ready to paint, Soft-Fired, Cone 04, Mid-Range Stoneware Bisque

5.5 L x 3.75 W x 4.5 H 

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CCX3224 Chip Chiller in ready to paint, cone 04 Ceramic Bisque

Our Bisque has been pre-fired to a cone 04 and is ready to glaze and be fired to a cone 06

5 Dia. x 5 H 

CXS124 Stoneware Textured Spoon Rest - Mid Range Stoneware Bisque

6 L x 4-1/4 W x 1-1/2 H 

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS123 Stoneware Textured Ramekin Bowl - Mid Range Stoneware Bisque

3-3/4 Dia. x 2-1/4 H

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS120 Stoneware Serving Bowl - Mid Range Stoneware Bisque

12-1/2 L x 9 W x 5-1/2 H 

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS114 Round Charcuterie Server - Mid Range Stoneware Bisque

14 L x 15-1/2 W x 1-7/8 H

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS122 Stoneware Leaf Dish - Mid Range Stoneware Bisque

6-1/4 L x 4-3/4 W x 3/4 H 

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS100 Cascade Ware Salad Plate - Mid Range Stoneware Bisque

9-1/4 Dia. x 3/4 H

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS103 Stoneware Cascade Ware Mug - Mid Range Stoneware Bisque

5-2/3 Dia. x 5 H 

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS101 Cascade Ware Dinner Plate - Mid Range Stoneware Bisque

12-1/2 Dia. x 7/8 H

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

CXS121 Stoneware Cascade Stemless Wine Glass - Mid Range Stoneware Bisque

3-3/4 Dia. x 3-3/4 H 

Mid-Range, Ready to Paint, Stoneware Bisque.

This bisque has been fired to a cone 04 and is ready to paint and fire to a cone 6 

Stroke & Coat / Speckled Stroke & Coat Chip Board  

Item #XA-204E

This Item must be special ordered.  Please allow up to six to eight weeks for delivery 

X10503 Wax Resist Foam Brush - Small 0.25" (Set of 20)

Xiem's foam brush is made from the highest-quality foam and secured on a plastic handle for wax-resist application on pottery. It is also excellent for oxides, stains, inks, and glazes in hard-to-reach areas.

Available in three sizes:

small, medium, and large in a package of 10 pcs and 20 pcs.

Small: .25" Wx4" L, Medium: .5" Wx4.8" L, Large: .6" W x5" L.

X10502 Wax Resist Foam Brush - Small 0.25" (Set of 10)

Xiem's foam brush is made from the highest-quality foam and secured on a plastic handle for wax-resist application on pottery. It is also excellent for oxides, stains, inks, and glazes in hard-to-reach areas.

Available in three sizes:

small, medium, and large in a package of 10 pcs and 20 pcs.

Small: .25" Wx4" L, Medium: .5" Wx4.8" L, Large: .6" W x5" L.

X10505 Wax Resist Foam Brush - Medium 0.50" (Set of 20)

Xiem's foam brush is made from the highest-quality foam and secured on a plastic handle for wax-resist application on pottery. It is also excellent for oxides, stains, inks, and glazes in hard-to-reach areas.

Available in three sizes:

small, medium, and large in a package of 10 pcs and 20 pcs.

Small: .25" Wx4" L, Medium: .5" Wx4.8" L, Large: .6" W x5" L.

X10504 Wax Resist Foam Brush - Medium 0.50" (Set of 10)

Xiem's foam brush is made from the highest-quality foam and secured on a plastic handle for wax-resist application on pottery. It is also excellent for oxides, stains, inks, and glazes in hard-to-reach areas.

Available in three sizes:

small, medium, and large in a package of 10 pcs and 20 pcs.

Small: .25" Wx4" L, Medium: .5" Wx4.8" L, Large: .6" W x5" L.

X10507 Wax Resist Foam Brush - Large 0.60" (Set of 20)

Xiem's foam brush is made from the highest-quality foam and secured on a plastic handle for wax-resist application on pottery. It is also excellent for oxides, stains, inks, and glazes in hard-to-reach areas.

Available in three sizes:

small, medium, and large in a package of 10 pcs and 20 pcs.

Small: .25" Wx4" L, Medium: .5" Wx4.8" L, Large: .6" W x5" L.

X10506 Wax Resist Foam Brush - Large 0.60" (Set of 10)

Xiem's foam brush is made from the highest-quality foam and secured on a plastic handle for wax-resist application on pottery. It is also excellent for oxides, stains, inks, and glazes in hard-to-reach areas.

Available in three sizes:

small, medium, and large in a package of 10 pcs and 20 pcs.

Small: .25" Wx4" L, Medium: .5" Wx4.8" L, Large: .6" W x5" L.

SW2025 New Stoneware Glaze Kit - (brush on) Glaze by Mayco   

All the new colors for April 2025 in one very convenient, 4-oz jar sample kit

SW515 Aqua Gloss 16-oz Brush on Glaze by Mayco Colors

Cone 6 results: Aqua Gloss is a highly pigmented, gloss glaze. The highly stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures.

Cone 10 reduction: Color shifts to baby blue. Remains stable.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.

Stoneware Gloss Glazes can be used in design, all over coverage and are the ideal product for intermix ability at mid-range and high-fire temperatures. The integrity of your design will remain unchanged as these glazes are incredibly stable and will not move or combine with surrounding colors.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.

AP

Dinnerware Safe 

SW514 Sage Gloss 16-oz Brush on Glaze by Mayco Colors

Cone 6 results: Sage Gloss is a highly pigmented, gloss glaze. The highly stable qualities of this glaze make it ideal for design work and full opaque coverage at mid-range temperatures.

Cone 10 reduction: Color shifts to bluish green. Remains stable.

Tip: Can be mixed with other Stoneware Gloss glazes (SW500 series) to produce additional stable and opaque colors. Layer design work with other Stoneware Gloss series colors to create crisp images that won’t blur or require clear glaze.

Stoneware Gloss Glazes can be used in design, all over coverage and are the ideal product for intermix ability at mid-range and high-fire temperatures. The integrity of your design will remain unchanged as these glazes are incredibly stable and will not move or combine with surrounding colors.

AP

Dinnerware Safe

SW224 Tropical Teal 16-oz Brush on Glaze by Mayco Colors

Cone 6 results: Tropical Teal is a glossy, semi-opaque teal glaze with a mottled float that breaks over texture. This glaze is stable.

Cone 10 reduction: Enhanced green undertone. Remains stable.

Tip: Blue is enhanced with increased application thickness.

AP

Dinnerware Safe 

SW223 Milk Glass 16-oz Brush on Glaze by Mayco Colors

Cone 6 results: Milk Glass is a glossy, semi-opaque white glaze that breaks transparent over texture. This glaze is stable.

Cone 10 reduction: Color shifts to blue with white float. Remains stable.

Tip: This glaze works well in combination with other glazes.

AP

Not Dinnerware Safe

SW222 Green Jasper 16-oz Brush on Glaze by Mayco Colors

Cone 6 results: Green Jasper is a glossy, transparent white glaze that breaks over texture. Contains metallic green and blue crystals. Base color is stable; crystals can create movement.

Cone 10 reduction: Base remains. Crystals shift to metallic red. Light application recommended.

Tip: Green Jasper uses SW250 White Opal as the base glaze. Upon opening, crystals will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use. Crystals can create movement. Avoid having a heavy

concentration of crystals near the bottom of your piece. When storing a crystal glaze, you may consider storing upside down to make crystal more accessible.

AP

Not Dinnerware Safe

SW221 Mint Speck 16-oz Brush on Glaze by Mayco Colors

Cone 6 results: Mint Speck is a satin-matte, semi-opaque mint green that breaks over texture. Contains small purple, orange and yellow specks. This glaze is highly stable.

Cone 10 reduction: Changes to a glossy, transparent pale blue. Specks blur and lose definition with increased application thickness. Remains stable.

Tip: Mint Speck uses SW135 Wintergreen as the base glaze. We recommend firing our matte glazes to cone 6 to produce a satin matte finish. Upon opening, specks will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.

AP

Dinnerware Safe

SW220 Black Timber 16-oz Brush on Glaze by Mayco Colors

Cone 6 results: Black Timber is a satin, opaque, mottled brown glaze that breaks over texture. Contains glossy brown crystals. Base color is stable; crystals can create movement.

Cone 10 reduction: Color darkens. Remains stable.

Tip: Upon opening, crystals will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use. Crystals can create movement. Avoid having a heavy concentration of crystals near the bottom of your piece. When storing a crystal glaze, you may consider storing upside down to make crystal more accessible.

AP

Dinnerware Safe 

EG007 Terracotta Engobe 16-oz Brush on Engobe by Mayco Colors

Cone 6 results: Terracotta Engobe fires matte. Highly stable.

Cone 10 reduction: Color darkens. Remains stable.

Engobes are used to coat your clay body to your preferred finish/color and will impact glaze results when used as a base. Engobes will not stick to the kiln shelf with 2 coats. Can be used in oxidation or reduction firings. Results may vary.
Apply to wet clay, greenware or bisque, and fire from cones 5-10. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.

AP
Dinnerware Safe with Clear Glaze

EG006 Sparkle Black Engobe 16-oz Brush on Engobe by Mayco Colors

Cone 6 results: Sparkle Black Engobe fires matte black with metallic specks. Specks may produce texture. Highly stable.

Cone 10 reduction: No change to base color. Specks bloom and become matte. Remains stable.

Tip: To enhance the sparkle and improve texture, use your fingers to burnish/polish the surface of the ware before the last layer is dry. Polishing is not needed when used in combination.

Engobes are used to coat your clay body to your preferred finish/color and will impact glaze results when used as a base. Engobes will not stick to the kiln shelf with 2 coats. Can be used in oxidation or reduction firings. Results may vary.
Apply to wet clay, greenware or bisque, and fire from cones 5-10. Can be used in oxidation or reduction firings. Results may vary. The choice of clay body, thickness of application, firing process, and temperature will greatly affect the fired results. Always test your application on your clay body in your kiln environment.

AP
Dinnerware Safe with Clear Glaze

X10535 Silicone Clay Slicker by Xiem Tools

The Clay Slicker is a versatile tool used for compressing and smoothing the rims and bases of hand-thrown clay pots while still on the potter’s wheel, ensuring a uniform and smooth finish.

It is also ideal for smoothing, flattening, and blending uneven hand-built surfaces.

Additionally, it floats, making it easy to locate and reducing the risk of misplacement in the clay sludge.

MCT07 - X10551 Mini Carving Tool #07 Double-Ended with interchangeable Blades by Xiem Tools

Experience the ultimate comfort and versatility of the Mini Carving Tool!
It is constructed with thin double-end stainless steel blades for durability and a super-soft foam handle for maximum comfort.
It makes detail carving, sculpting, and texturing easy and enjoyable.
Choose from a set of seven or individual tools to fit your needs!

This tool comes with 1 handle and two interchangeable blades (B8/B9) 

MCT06 - X10550 Mini Carving Tool #06 Double-Ended with interchangeable Blades by Xiem Tools

Experience the ultimate comfort and versatility of the Mini Carving Tool!
It is constructed with thin double-end stainless steel blades for durability and a super-soft foam handle for maximum comfort.
It makes detail carving, sculpting, and texturing easy and enjoyable.
Choose from a set of seven or individual tools to fit your needs!

This tool comes with 1 handle and two interchangeable blades (B5/B3) 

MCT05 - X10549 Mini Carving Tool #05 Double-Ended with interchangeable Blades by Xiem Tools

Experience the ultimate comfort and versatility of the Mini Carving Tool!
It is constructed with thin double-end stainless steel blades for durability and a super-soft foam handle for maximum comfort.
It makes detail carving, sculpting, and texturing easy and enjoyable.
Choose from a set of seven or individual tools to fit your needs!

This tool comes with 1 handle and two interchangeable blades (B4/B6) 

MCT04 - X10548 Mini Carving Tool #04 Double-Ended with interchangeable Blades by Xiem Tools

Experience the ultimate comfort and versatility of the Mini Carving Tool!
It is constructed with thin double-end stainless steel blades for durability and a super-soft foam handle for maximum comfort.
It makes detail carving, sculpting, and texturing easy and enjoyable.
Choose from a set of seven or individual tools to fit your needs!

This tool comes with 1 handle and two interchangeable blades (B3/B7) 

MCT03 - X10547 Mini Carving Tool #03 Double-Ended with interchangeable Blades by Xiem Tools

Experience the ultimate comfort and versatility of the Mini Carving Tool!
It is constructed with thin double-end stainless steel blades for durability and a super-soft foam handle for maximum comfort.
It makes detail carving, sculpting, and texturing easy and enjoyable.
Choose from a set of seven or individual tools to fit your needs!

This tool comes with 1 handle and two interchangeable blades (B9/B2) 

MCT02 - X10546 Mini Carving Tool #02 Double-Ended with interchangeable Blades by Xiem Tools

Experience the ultimate comfort and versatility of the Mini Carving Tool!
It is constructed with thin double-end stainless steel blades for durability and a super-soft foam handle for maximum comfort.
It makes detail carving, sculpting, and texturing easy and enjoyable.
Choose from a set of seven or individual tools to fit your needs!

This tool comes with 1 handle and two interchangeable blades (B1/B5) 

MCT01 - X10545 Mini Carving Tool #01 Double-Ended with interchangeable Blades by Xiem Tools

Experience the ultimate comfort and versatility of the Mini Carving Tool!
It is constructed with thin double-end stainless steel blades for durability and a super-soft foam handle for maximum comfort.
It makes detail carving, sculpting, and texturing easy and enjoyable.
Choose from a set of seven or individual tools to fit your needs!

This tool comes with 1 handle and two interchangeable blades (B10/B8)

MCTS7 - X10544 Mini Carving Tool Set of 7 by Xiem Tools

Experience the ultimate comfort and versatility of the Mini Carving Tool!
It is constructed with thin double-end stainless steel blades for durability and a super-soft foam handle for maximum comfort.
It makes detail carving, sculpting, and texturing easy and enjoyable.
Choose from a set of seven or individual tools to fit your needs!

X10470 Loop (Large) Titanium Fused Trimming Tool by Xiem

Titanium-Fused Trimming Tool

Titanium-Fused Trimming Tool Series is another Xiem Tools innovative solution to meet the needs of any skill level from the beginner to demanding professional artists for an alternative to the Tungsten Carbide trimming tools without the distress of accidental drop and the high cost.

Each blade is handcrafted and made of high carbon tempered stainless steel.  Then, fused with a thin layer Titanium Nitrite to the surface to increase strength and hardness, provide less friction, and rust resistance. 

The ergonomically shaped handles are made with Beech hardwood, hand sanded to allow greater control and comfort for those long trimming sessions fun.  Each handle features a flat bottom to ensure they have zero chance of rolling and enable the blade suspended above the hard surfaces to protect the sharp cutting edge from damaging.

The titanium-fused blades are three times harder steel for maximum performances, create a resilient cutting edge that stays sharp longer than the conventional carbon steel blades.  

Furthermore, the handles are soaked in pure Tung oil and cured by oxidation improve wood surface for water, slip, and mold resistant. 

They are made in the USA with domestic and international materials.

Available in small, medium, and larges sizes with a variety of shapes.

X10469 Loop (Medium) Titanium Fused Trimming Tool by Xiem

Titanium-Fused Trimming Tool

Titanium-Fused Trimming Tool Series is another Xiem Tools innovative solution to meet the needs of any skill level from the beginner to demanding professional artists for an alternative to the Tungsten Carbide trimming tools without the distress of accidental drop and the high cost.

Each blade is handcrafted and made of high carbon tempered stainless steel.  Then, fused with a thin layer Titanium Nitrite to the surface to increase strength and hardness, provide less friction, and rust resistance. 

The ergonomically shaped handles are made with Beech hardwood, hand sanded to allow greater control and comfort for those long trimming sessions fun.  Each handle features a flat bottom to ensure they have zero chance of rolling and enable the blade suspended above the hard surfaces to protect the sharp cutting edge from damaging.

The titanium-fused blades are three times harder steel for maximum performances, create a resilient cutting edge that stays sharp longer than the conventional carbon steel blades.  

Furthermore, the handles are soaked in pure Tung oil and cured by oxidation improve wood surface for water, slip, and mold resistant. 

They are made in the USA with domestic and international materials.

Available in small, medium, and larges sizes with a variety of shapes.

X10468 Loop (Small) Titanium Fused Trimming Tool by Xiem

Titanium-Fused Trimming Tool

Titanium-Fused Trimming Tool Series is another Xiem Tools innovative solution to meet the needs of any skill level from the beginner to demanding professional artists for an alternative to the Tungsten Carbide trimming tools without the distress of accidental drop and the high cost.

Each blade is handcrafted and made of high carbon tempered stainless steel.  Then, fused with a thin layer Titanium Nitrite to the surface to increase strength and hardness, provide less friction, and rust resistance. 

The ergonomically shaped handles are made with Beech hardwood, hand sanded to allow greater control and comfort for those long trimming sessions fun.  Each handle features a flat bottom to ensure they have zero chance of rolling and enable the blade suspended above the hard surfaces to protect the sharp cutting edge from damaging.

The titanium-fused blades are three times harder steel for maximum performances, create a resilient cutting edge that stays sharp longer than the conventional carbon steel blades.  

Furthermore, the handles are soaked in pure Tung oil and cured by oxidation improve wood surface for water, slip, and mold resistant. 

They are made in the USA with domestic and international materials.

Available in small, medium, and larges sizes with a variety of shapes.

X10466 Round (Medium) Titanium Fused Trimming Tool by Xiem

Titanium-Fused Trimming Tool

Titanium-Fused Trimming Tool Series is another Xiem Tools innovative solution to meet the needs of any skill level from the beginner to demanding professional artists for an alternative to the Tungsten Carbide trimming tools without the distress of accidental drop and the high cost.

Each blade is handcrafted and made of high carbon tempered stainless steel.  Then, fused with a thin layer Titanium Nitrite to the surface to increase strength and hardness, provide less friction, and rust resistance. 

The ergonomically shaped handles are made with Beech hardwood, hand sanded to allow greater control and comfort for those long trimming sessions fun.  Each handle features a flat bottom to ensure they have zero chance of rolling and enable the blade suspended above the hard surfaces to protect the sharp cutting edge from damaging.

The titanium-fused blades are three times harder steel for maximum performances, create a resilient cutting edge that stays sharp longer than the conventional carbon steel blades.  

Furthermore, the handles are soaked in pure Tung oil and cured by oxidation improve wood surface for water, slip, and mold resistant. 

They are made in the USA with domestic and international materials.

Available in small, medium, and larges sizes with a variety of shapes.

X10465 Round (Small) Titanium Fused Trimming Tool by Xiem

Titanium-Fused Trimming Tool

Titanium-Fused Trimming Tool Series is another Xiem Tools innovative solution to meet the needs of any skill level from the beginner to demanding professional artists for an alternative to the Tungsten Carbide trimming tools without the distress of accidental drop and the high cost.

Each blade is handcrafted and made of high carbon tempered stainless steel.  Then, fused with a thin layer Titanium Nitrite to the surface to increase strength and hardness, provide less friction, and rust resistance. 

The ergonomically shaped handles are made with Beech hardwood, hand sanded to allow greater control and comfort for those long trimming sessions fun.  Each handle features a flat bottom to ensure they have zero chance of rolling and enable the blade suspended above the hard surfaces to protect the sharp cutting edge from damaging.

The titanium-fused blades are three times harder steel for maximum performances, create a resilient cutting edge that stays sharp longer than the conventional carbon steel blades.  

Furthermore, the handles are soaked in pure Tung oil and cured by oxidation improve wood surface for water, slip, and mold resistant. 

They are made in the USA with domestic and international materials.

Available in small, medium, and larges sizes with a variety of shapes.

X10467 Round (Large) Titanium Fused Trimming Tool by Xiem

Titanium-Fused Trimming Tool

Titanium-Fused Trimming Tool Series is another Xiem Tools innovative solution to meet the needs of any skill level from the beginner to demanding professional artists for an alternative to the Tungsten Carbide trimming tools without the distress of accidental drop and the high cost.

Each blade is handcrafted and made of high carbon tempered stainless steel.  Then, fused with a thin layer Titanium Nitrite to the surface to increase strength and hardness, provide less friction, and rust resistance. 

The ergonomically shaped handles are made with Beech hardwood, hand sanded to allow greater control and comfort for those long trimming sessions fun.  Each handle features a flat bottom to ensure they have zero chance of rolling and enable the blade suspended above the hard surfaces to protect the sharp cutting edge from damaging.

The titanium-fused blades are three times harder steel for maximum performances, create a resilient cutting edge that stays sharp longer than the conventional carbon steel blades.  

Furthermore, the handles are soaked in pure Tung oil and cured by oxidation improve wood surface for water, slip, and mold resistant. 

They are made in the USA with domestic and international materials.

Available in small, medium, and larges sizes with a variety of shapes.

X10464 Triangle (Large) Titanium Fused Trimming Tool by Xiem Tools

Titanium-Fused Trimming Tool

Titanium-Fused Trimming Tool Series is another Xiem Tools innovative solution to meet the needs of any skill level from the beginner to demanding professional artists for an alternative to the Tungsten Carbide trimming tools without the distress of accidental drop and the high cost.

Each blade is handcrafted and made of high carbon tempered stainless steel.  Then, fused with a thin layer Titanium Nitrite to the surface to increase strength and hardness, provide less friction, and rust resistance. 

The ergonomically shaped handles are made with Beech hardwood, hand sanded to allow greater control and comfort for those long trimming sessions fun.  Each handle features a flat bottom to ensure they have zero chance of rolling and enable the blade suspended above the hard surfaces to protect the sharp cutting edge from damaging.

The titanium-fused blades are three times harder steel for maximum performances, create a resilient cutting edge that stays sharp longer than the conventional carbon steel blades.  

Furthermore, the handles are soaked in pure Tung oil and cured by oxidation improve wood surface for water, slip, and mold resistant. 

They are made in the USA with domestic and international materials.

Available in small, medium, and larges sizes with a variety of shapes.

X10463 Oval (Large) Titanium Fused Trimming Tool

Titanium-Fused Trimming Tool

Titanium-Fused Trimming Tool Series is another Xiem Tools innovative solution to meet the needs of any skill level from the beginner to demanding professional artists for an alternative to the Tungsten Carbide trimming tools without the distress of accidental drop and the high cost.

Each blade is handcrafted and made of high carbon tempered stainless steel.  Then, fused with a thin layer Titanium Nitrite to the surface to increase strength and hardness, provide less friction, and rust resistance. 

The ergonomically shaped handles are made with Beech hardwood, hand sanded to allow greater control and comfort for those long trimming sessions fun.  Each handle features a flat bottom to ensure they have zero chance of rolling and enable the blade suspended above the hard surfaces to protect the sharp cutting edge from damaging.

The titanium-fused blades are three times harder steel for maximum performances, create a resilient cutting edge that stays sharp longer than the conventional carbon steel blades.  

Furthermore, the handles are soaked in pure Tung oil and cured by oxidation improve wood surface for water, slip, and mold resistant. 

They are made in the USA with domestic and international materials.

Available in small, medium, and larges sizes with a variety of shapes.

Paint Safe Drying Grid Table

Comes in handy for those times when you are glazing pottery and you are looking for something to sit your pottery on while it dries.

Great for stained, painted, sealed, or glazed projects.

Gently rounded tips make this idea for children too.

Drying tips will not stick to painted surface.

Made of durable, safe easy to clean plastic.

Six tip spacing patterns (three on each side) will accommodate projects of unlimited sizes.

Air can circulate from all sides allowing the project to dry quickly and safely.

Proper tip height is ideal for drying both flat and three dimensional objects.

Each Grid can be snapped together to increase the size of the grid.

C-11 - MIXING CLEAR - Mid Range Celadon Glaze in Gallon Size Container

Originally formulated to dilute the color of Celadon series glazes, C-11 Mixing Clear can be used as a stand-alone clear glaze. Mixing Clear is a stiff gloss zinc-free glaze that works well with most underglazes.

Some underglazes may appear muted with Mixing Clear:
V-315 Peach
V-316 Light Pink
V-323 Salmon

Safety Warning

Tableware producers must test all finished ware to establish dinnerware status, due to possible variations in firing temperature and contamination.

Bisque Fix Clay Mender (4 ounce) Specialty Product by Amaco

This white paste is an excellent mending material for bisque that can be used to bond pieces together or fill up broken cavities.
Bisque Fix can be colored to match the bisque using metal oxides or ceramic stains.
After applying with a spatula, fire to the temperature of the clay and glaze that you are using -- up to Cone 10 (2381°F, 1305°C).

Important Storage Note: 
Bisque fix is an air set concrete type product. There is a way to keep it longer. After you have used it and are ready to put it away, put a thin layer of water in the jar then recap and store. When you go to use it again pour off the water, remix and apply as normal.

 

 WARNING: This product can expose you to chemicals including Ceramic Fibers (airborne particles of respirable size), which are known to the State of California to cause cancer. For more information go to www.P65Warnings.ca.gov.

Amaco #16 White Chocolate Mid-Range Clay - Cone 5 – 6 

Manganese Free Clay

5-LBS Bag

This White Chocolate colored stoneware clay is a luxurious, creamy tone that embodies elegance and versatility. Smooth and pliable, this clay is perfect for bringing your artistic visions to life with finesse and precision.
White Chocolate No.16 can be fired to cone 5 or to cone 6.

Cone 5

• Shrinkage: 13.5%
• Absorption: 0.5%

Cone 6

• Shrinkage: 13.9%
• Absorption: 0.3%

With a firing range between cone 5 to cone 7, AMACO premium mid-range clays offer versatility and durability, perfect for crafting functional pottery and intricate sculptures. Plus, they are MANGANESE-FREE!  Unlock your creativity with clay that strikes the ideal balance between workability and strength. 

These clays are packaged in 20lb boxes with individually wrapped 5lb clay blocks.

Amaco #16 White Chocolate Mid-Range Clay - Cone 5 – 6 

Manganese Free Clay

20-LBS Box

This White Chocolate colored stoneware clay is a luxurious, creamy tone that embodies elegance and versatility. Smooth and pliable, this clay is perfect for bringing your artistic visions to life with finesse and precision.
White Chocolate No.16 can be fired to cone 5 or to cone 6.

Cone 5

• Shrinkage: 13.5%
• Absorption: 0.5%

Cone 6

• Shrinkage: 13.9%
• Absorption: 0.3%

With a firing range between cone 5 to cone 7, AMACO premium mid-range clays offer versatility and durability, perfect for crafting functional pottery and intricate sculptures. Plus, they are MANGANESE-FREE!  Unlock your creativity with clay that strikes the ideal balance between workability and strength. 

These clays are packaged in 20lb boxes with individually wrapped 5lb clay blocks.

Amaco #30 Milk Chocolate Mid-Range Clay - Cone 5 – 6 

Manganese Free Clay

5-LBS Bag

This Milk Chocolate colored stoneware clay is a creamy, delectable hue that adds warmth and charm to your pottery projects. Smooth to the touch and versatile in application, this clay invites you to create with ease, whether sculpting, throwing, or hand-building. 30M Milk Chocolate can be fired to cone 5 to achieve the desired milk chocolatey color or to cone 6 for a lightly darker hue. This clay is manganese free. 

Cone 5

• Shrinkage: 14.36%
• Absorption: 0.5%

Cone 6

• Shrinkage: 14.8%
• Absorption: 0.2%

With a firing range between cone 5 to cone 7, AMACO premium mid-range clays offer versatility and durability, perfect for crafting functional pottery and intricate sculptures. Plus, they are MANGANESE-FREE!  Unlock your creativity with clay that strikes the ideal balance between workability and strength. 

These clays are packaged in 20lb boxes with individually wrapped 5lb clay blocks.