Multi-Functional Richard, Stainless Steel Rib by WiziWig Tools

Made in USA

Burbon Makin Terry, Stainless Steel Rib by WiziWig Tools

Made in USA

The Foot Fetish Rib

RU-04 Rump Shaper Rib

RU-02 Rump Shaper Rib

RV-03 Rump Shaper Rib

RU-03 Rump Shaper Rib

RV-04 Rump Shaper Rib

RV-02 Rump Shaper Rib

RV-01 Rump Shaper Bowl Rib

RU-01 Rump Shaper Bowl Rib

Lip Service Knotched Throwing Rib

Inner Eye Slab Bevel

This is the ultimate hand-building tool.

It is basically 3 tools in one. You get 3 different angles with which you can bevel your slabs for construction.

Place the tool flat on the table up against your slab and draw it along the slab to cut a perfect angle for construction. you get 30, 60, or 45 degree cuts.

The taut wire never snags or causes drag or deformation on your slab.

You can quickly and easily tighten or replace the wire too!

The Big Foot Rib

Bat Insert System with Master and 10 Round Inserts

Bat pin placement: 10" from the middle of one bat pin hole to the other

Master bat: 12.5" in diameter

Angled 8-inch Comb Clay Tool

CG1009 – Cherry Limeade (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Cherry Limeade is an opaque chartreuse base with red and light blue crystals. 

Cone 6 oxidation: Base glaze maintains color; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1009 – Cherry Limeade (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Cherry Limeade is an opaque chartreuse base with red and light blue crystals. 

Cone 6 oxidation: Base glaze maintains color; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1008 – Blue Guppy (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Blue Guppy is a semi-translucent teal base with black and variegated olive metallic crystals. 

Cone 6 oxidation: Base glazes darkens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1008 – Blue Guppy (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Blue Guppy is a semi-translucent teal base with black and variegated olive metallic crystals. 

Cone 6 oxidation: Base glazes darkens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1007 – Blueberry Bubblegum (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Blueberry Bubblegum is an opaque bright blue base with orange, yellow, and blue crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1007 – Blueberry Bubblegum (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Blueberry Bubblegum is an opaque bright blue base with orange, yellow, and blue crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1006 – Purple Reign (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Purple Reign is an opaque light purple base glaze with purple and clear crystals and dark blue specks.

Cone 6 oxidation: Base glaze fades to blue; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1006 – Purple Reign (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Purple Reign is an opaque light purple base glaze with purple and clear crystals and dark blue specks.

Cone 6 oxidation: Base glaze fades to blue; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1005 – Maroon Lagoon (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Maroon Lagoon is a semi-translucent maroon base glaze with dark green and black crystals. 

Cone 6 oxidation: Base glaze fades to white; crystals cascade. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1005 – Maroon Lagoon (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Maroon Lagoon is a semi-translucent maroon base glaze with dark green and black crystals. 

Cone 6 oxidation: Base glaze fades to white; crystals cascade. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1004 – Barry Tart (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Barry Tart is a semi-translucent dark pink base glaze with red, purple, and white crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1004 – Barry Tart (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Barry Tart is a semi-translucent dark pink base glaze with red, purple, and white crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1003 – Peach Party (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Peach Party is an opaque peach base glaze with large red, blue, and yellow crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1003 – Peach Party (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Peach Party is an opaque peach base glaze with large red, blue, and yellow crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

• These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

• Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

• ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

• The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

• Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1002 - Day Lily (16-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Day Lily is a translucent coral base glaze with large yellow, orange, and black crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

Drama! Excitement!  

These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

General Use

Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

Helpful Hints

·         Left-over crystals? Just add a complimentary Foundations glaze.

·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

·         Stir frequently as crystals tend to settle in the jar due to their weight.

·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

Application Recommendations

The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

Usage Variations & FAQs

Q: What advice to do have for firing Crystal glazes at higher temperatures?

A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

Q: What are some of the ways I can use Crystal glazes in my design work?

A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

Q: Can I mix leftover crystals into other glazes?

A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

CG1002 - Day Lily (4-ounce) Jungle Gem Crystal Glaze

Cone 06 oxidation: Day Lily is a translucent coral base glaze with large yellow, orange, and black crystals. 

Cone 6 oxidation: Base glaze lightens; crystals cascade. Enhanced mobility. Surface issues may occur.

• Jungle Gems Crystal Glazes transform in the kiln when the small pieces of glass frit burst into color and intricate patterns during the firing process. Artists use these beautiful glazes to add dramatic, colorful effects to their creations.

  When Fired to Cone 6:  Base glaze fades - crystals fade and melt. Enhanced mobility. Surface issues may occur.

  Drama! Excitement!  

  These beautiful glazes transform in the kiln when small pieces of glass burst into color and intricate pattern during the firing process. Use alone for stunning effects, in glaze combination blending with Stroke & Coats Foundations or Cobblestones or simply as an accent to your design.

  General Use

  Crystal glazes were designed to mature at cone 06/05. Apply to shelf cone 04 bisque. Shake jar well and stir during the application process. Apply 3 coats with a fan brush, allowing to dry between coats. Avoid placing crystals towards bottom of ware to keep them from flowing onto the kiln shelf during firing. Crystal Glazes can be fired to higher temperatures. Review individual color label for cone 6 firing results. The crystals in the glaze will melt when fired, which may create a textured surface. As that surface may be difficult to properly clean if in contact with food, we recommend crystal glazes to be used on decorative ware. Jungle Gems and Crystalite glazes are certified AP nontoxic, with the exception of CG 707 Woodland Fantasy and CG 713 Peacock Green which require a caution label, CL, due to soluble copper. Please refer to label for specific information

  Helpful Hints

  ·         Left-over crystals? Just add a complimentary Foundations glaze.

  ·         May use a complimentary Foundations as a base glaze in order to make your crystals go further.

  ·         We recommend a soft fan brush, such as CB-604 #4 or CB-618 #8 Soft Fan, for glaze application.

  ·         Stir frequently as crystals tend to settle in the jar due to their weight.

  ·         Store upside down with lid on securely to allow easy mixing and even dispersion of crystals.

  ·         As crystals tend to flow at higher temperatures, we recommend limiting the number of crystals on bottom third of vertical piece to avoid glaze running onto kiln shelf.

  ·         Re-distribution of crystals may be required during the final coat. Where you see the crystal is where you will see it bloom.

  Application Recommendations

  The following application recommendations are based upon the original product development intent and use for the product. Information on alternative application methods is listed in the section Usage Variations and FAQ's

  ·         Shake well prior to each application coat. The reason for this recommendation is that the crystals will settle to the bottom of the jar in a short period of time. If you notice the crystals settling during an application, you can either dip your brush to the bottom of the jar to re-dispense or attach the lid and shake vigorously.

  ·         During the application of the third coat of glaze you may find it necessary to re-distribute crystals, or add crystals, on your piece to assure balanced coverage. Use your brush to push crystals onto thinly covered areas or dip your brush into the jar and gather crystals onto it, then "pat" them on the sparsely covered areas.

  ·         We recommend a broad, soft brush, such as a CB-604 #4 or CB-618 #8 Soft Fan Brush, to apply crystal glazes. The fan brush may help more in the even disbursement of the crystals, thus creating a more pleasing pattern in the fired glaze.

  ·         Crystalite and Jungle Gems were designed to fire to cone 06. Higher temperature firings will change the colors from cone 06 results and movement and flow WILL increase.

  Usage Variations & FAQs

  Q: What advice to do have for firing Crystal glazes at higher temperatures?

  A: Crystal glazes, already prone to move, will move much more at higher temperatures.  The crystals will lose some of their definition and act more as a blending agent.  You'll want to be careful about placing glaze too close to the bottom of your piece - in addition to stilting you may want to put a tile or a piece of scrap bisque beneath the piece to prevent glaze from running onto your kiln shelves.

  Q: What are some of the ways I can use Crystal glazes in my design work?

  A: Simply apply the crystalites in the pattern and apply as the above directions stated. Several rings of the Crystalites placed in varied patterns are also attractive. Interesting patterns may be obtained by placing several rings of crystals in a necklace-like placement around the piece. The glaze may need to be strained in order to separate the crystals for this procedure. The crystals are then applied using a brush or small spoon in a linear necklace-like ring around the piece. This can be several rings in sequential order or in a zigzag pattern to produce the most pleasing effect.

  Q: Your label states that Crystalites and Jungle Gems are "Food Safe", yet you also include the statement "May not be suitable for food surfaces due to surface characteristics?

  A: Food Safety is determined by standards established by the Food and Drug Administration (FDA).  ASTM method C-738 and C-927-80 are "leach tests"; the tests involve measuring the chemical composition of an acidic food before exposure to a glazed surface and the chemical composition after a several days.  If the levels of glaze materials found in the food are below the established limits, the glaze can be marketed as "Food Safe." Glazes that create dimensional surfaces also create crevices and nooks that can trap food - even after washing.  This food can develop bacterial growth and cause health issues. Our policy is to discourage the use of textural glazes on ware that is intended for food usage even though the glaze has met all food safety criteria.

  Q: Can I mix leftover crystals into other glazes?

  A: Yes. Foundations Sheers would be a good choice as these glazes will allow the crystals to expand much like the base glaze of Crystalites and Jungle Gems

LP142 Medium Pointed Sunflower Rubber Leaf Forms

This rubber leaf form can be used to make impressions in clay or make dimensional leaves. Individual leaf measures 10" by 8"

LP143 Large Pointed Sunflower Rubber Leaf Forms

This rubber leaf form can be used to make impressions in clay or make dimensional leaves. Individual leaf measures 12" by 10.5".

Large Burdock Rubber Leaf Form

 This rubber leaf form can be used to make impressions in clay or make dimensional leaves. Leaf measure 25" H x 16" W. 

LP177 Medium Burdock Rubber Leaf Form

This rubber leaf form can be used to make impressions in clay or make dimensional leaves. Leaf measure 13" H x 9" W.

Large Rubber Wild Cincerca Leaf Form

This rubber leaf form can be used to make impressions in clay or make dimensional leaves. Individual leaf measures 9" by 10". 

• 5” Greenware Cleaning File
• Use after a piece has already been sealed
• Used to take off bumps or sheen
• Double Sided, flexible and clothlike
• Cut cleaning time even on low-fired porcelain bisque

• 5” Greenware Cleaning File
• Use after a piece has already been sealed
• Used to take off bumps or sheen
• Double Sided, flexible and clothlike
• Cut cleaning time even on low-fired porcelain bisque

SCL-121 - Supernova Large Round Stamp 

SCL Stamps are 4 cm (1.5 inches) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

SCL-120 - Hibiscus Flower Large Round Stamp 

SCL Stamps are 4 cm (1.5 inches) in diameter. 

Our Stamps are beautifully carved, have unique designs and release well from clay or any soft medium.

Our Stamps are made from wood that is precision carved to make deep beautiful impressions.

The Stamps are also bevel carved, allowing them to release easily from clay.

Our Stamps are finished with tung oil to ensure durability for many years of use.

All our Stamps are easily cleaned with water and a soft toothbrush.

BHR-152 - Rain Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-150 - Evergreen Forest Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-147 - Cone Flower Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-145 - Hibiscus Flower Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

BHR-132 - Mod Drops in Circles Big Hand Roller

BHR - Hand-Rollers are deeply carved, have unique designs, and release well from clay and any soft medium.
Our rollers are made from wood that is precision carved to make deep beautiful impressions. The rollers are also beveled carved, allowing them to release easily from clay.
You simply roll the BHR roller with your hand across the clay or up the wall of a pot to create a beautiful pattern. Because of their smaller size and light weight, BHR rollers are perfect for rolling vertically up the walls of a thrown pot.
BHR rollers also work great on slabs.
The ends of the rollers are rounded to avoid a line along each side of the pattern. This allows patterns to blend. 
For long rolls, try our Roller Board which can help create long smooth rolls and avoid knuckle bumps.
Our rollers are finished with tung oil to ensure durability over many years of use. Our  Hand Rollers are easily cleaned with water and a soft toothbrush.

SW-401 Mayco Flux (brush on Gallon) Stoneware Glaze By Mayco

Movement • Interaction • Beauty

SW-401 Mayco Flux is a mid-range glaze that was developed to be used in combination with other mid-range glazes to produce flowing effects. Mayco Flux interacts with other glazes to create movement, bringing about "hidden" colors and visual texture.  The order in which you apply Mayco Flux - above or beneath another glaze - impacts the fired result. Designed to fire to cone 5/6, but can be fired to cone 9/10 (movement will be more pronounced at higher temperatures).

• Variables that influence movement include the fluidity of the companion glaze, application methods, thickness and orientation of application, number of coats, firing temperature and program.

• To prevent glaze run-off, avoid applying Flux to the bottom third of your ware.

SW-177 - Raspberry Mist (brush on Gallon) Stoneware Glaze By Mayco    

Cone 6: Raspberry Mist is a gloss, semi-opaque glaze that displays shades of dark and light pink. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent and appear brighter with thinner application.

Cone 10: Color darkens to a deep red.

TIP: Over application of Raspberry Mist can cause pin-holing.

Brighter color and less variation at cone 5.

Sophistication and Reliability  

Mayco Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque (cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-166 - Norse Blue (brush on Gallon) Stoneware Glaze By Mayco  

Cone 6: Norse Blue is a semi-opaque blue gloss glaze that displays shades of light blue and green. The variation of glaze depends on application. The thicker the application, the more homogenous the color will be. The glaze will break translucent where thinner and pool darker around surface textures.

Cone 10: Color darkens.

Sophistication and Reliability  

Mayco Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-165 Lavender Mist (brush on Gallon) Stoneware Glaze By Mayco

Sophistication and Reliability  

Mayco Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque (cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-140 Black Matte (brush on Gallon) Stoneware Glaze By Mayco

Cone 6: Black Matte is formulated to produce a smooth matte surface. Light coats will allow clay body characteristics to appear through the glaze (especially on dark and speckled clay bodies).
Cone 10: Color darkens.
TIP: A true matte finish at cone 5/6 with no movement. Thicker application, three or more coats, will produce a more opaque finish.

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break. Application thickness is the key to making mattes work for you.

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-131 - Birch (brush on Gallon) Stoneware Glaze By Mayco 

Cone 6: Birch is a creamy opaque off-white glaze that breaks brown.
Cone 10: Cream color remains, and brown undertones darken.
TIP: The thinner the application, the more amber the glaze will be. The thicker the application, the more white floating you will get.

Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque (cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-108 - Green Tea (brush on Gallon) Stoneware Glaze By Mayco 

Sophistication and Reliability  

Mayco Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque (cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

SW-106 - Alabaster (brush on Gallon) Stoneware Glaze By Mayco

Stoneware matte glazes range from solid shades to those that create interesting color variations as they move and break.

Application thickness is the key to making mattes work for you.

Cone 6: Alabaster is a semi-opaque white soft matte glaze that breaks over texture.

Cone 10: Color darkens to variegated light gray/purple.

TIP: When using this glaze, you will be able to pick up the characteristics of the clay body due to its white semi opaque finish. Combos really well with 2 coats of stroke and coat on top. It has a satin finish. If you like combos with Sea Salt, you will get similar results with Alabaster minus the crystals.

 Dinnerware Safe

Mixing Instructions:

Due to the manufacturing process, Mayco Stoneware Dry Glazes do not require sieving.

All you need to do to use our dry-mix glazes is add water, shake, stir and DIP.

Tumble the bag prior to initial opening, which will remix the ingredient in case of settling during shipping.

Water to dry material ratio is 16 oz. water to 1 pound of material. 

Add dry mix to water. Always use a NIOSH approved respirator when mixing dry materials.

You will love the sheeting action when dipping and be pleased to find that our dry-mix glazes will not settle out in your storage bucket.

Whether dipping or spraying: let previous coat dry before applying additional coats. 

Fire to cone 5/6.

SW-101 - Stoned Denim (brush on Gallon) Stoneware Glaze By Mayco     

Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures.
Many glazes will break over textures, revealing secondary colors and shades.
Used alone, stoneware glazes produce beautiful color variations.
One coat will allow the clay body to show through the glaze and two to three coats deeper the color.

The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.

Cone 6: Stoned Denim is a variegated blue glaze that breaks brown.

Cone 10: Color darkens.

TIP: The thinner the application the more, brown the glaze will be. The thicker the application, the more, blue the glaze will be. Where the glaze breaks it will be brown.

 Dinnerware Safe

SW-100 - Blue Surf (brush on Gallon) Stoneware Glaze By Mayco     

Cone 6: Blue Surf is a variegated cobalt blue glazes that breaks green.
Cone 10: Color darkens.
TIP: The thinner the application the the more green the glaze will appear. The thicker the more blue it will be. Where the glaze breaks it will be green.

Stoneware classic glazes offer the depth, sophistication and reliability to artists working from mid-range to high-fire temperatures. Many glazes will break over textures, revealing secondary colors and shades. Used alone, stoneware glazes produce beautiful color variations. One coat will allow the clay body to show through the glaze and two to three coats deeper the color. The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired finish.

Sophistication and Reliability  

Mayco’s Stoneware glaze assortment, including Opals, Ices, and Washes, offers a variety of finishes, textures and endless possibilities for glaze combinations. Designed to perform from cones 5-10, in oxidation or reduction firing processes on stoneware clay body of choice. Artists will appreciate the consistency of performance and control of movement.

Mayco stoneware glazes have a firing range of Cone 5-10. Always test your chosen glaze combination before applying all over to piece. 
Visit the Galleries page to see Cone 10 reduction results.

Mayco’s Stoneware glazes are formulated to be friendly to the user in application, layering and firing. Artists will find amazing glaze combinations to expand the creative possibilities in the studio. Whether it is a pairing with a Mayco Wash, one of our Clears or a complex surface like SW-127 Olivine, these layering techniques will improve the work of any clay enthusiast.

General Use

Use Mayco Stoneware Glazes on any midrange clay body. These glazes are intended for use at cone range 4-6 but are also stable and pleasing at cone 10. Can be used in oxidation, reduction or other alternative atmospheric firing conditions. Always test prior to use.

For premixed products:

Stir well. Apply to soft-fired bisque(cone 04/06). Apply one, two or three coats depending on the result desired. Allow each coat to dry before applying the next coat. Fire to cone 5/6.

Stoneware crystal glazes

Our Stoneware glaze palette includes four glazes that contain small pieces of glass which create variegated color when fired. These glazes are beautiful by themselves, blending and pooling naturally over the clay form.  Glaze shown here: SW-115 Midnight Rain.

MB0025 - Woven Pumpkin in Ready to Paint, Cone 04 Low Fire Ceramic Bisque

Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a cone 06 or painted with acrylics and sealed.

4.75 L x 4.75 W 4.25 H

EZ063 - Wine Berry (1-ounce) E-Z Stroke Translucent Underglaze

Cone 06: Wine Berry is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6: Color deeper and bluer. Recommended clear: SW-001 Stoneware Clear.

EZ042 - Teal (1-ounce) E-Z Stroke Translucent Underglaze

Cone 06: Teal is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6: Slight sheen. Milkier, weaker blue-teal. Recommended clear: SW-001 Stoneware Clear.

MB1609 - Small Starlite Tree in Ready to Paint, Cone 04 Low Fire Ceramic Bisque

Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a cone 06 or painted with acrylics and sealed.

4.75 L x 4.75 X 8.25 H

SC-60 Silver Lining Stroke N Coat (Gallon) by Mayco Colors  

Cone 06: Silvering Lining is a heavily pigmented, viscous Stroke & Coat glaze that can be used for brush strokes or opaque coverage.

One coat will create a translucent finish with subsequent coats adding opacity.

We suggest two to three coats for full opacity and all over coverage.

Will fire to a gloss finish without clear glaze.

Cone 6: Opaque. Color No change.

Colors can butt up to one another without moving and when used in a majolica process, Stroke & Coat will not move nor blend with the colors beneath even when using light over dark. Stroke & Coat colors are intermixable, allowing artists to create custom shades. Thin with water or media to create a wash or watercolor style of design. Because the liquid color is consistent with the fired color, artists will have no trouble visualizing finished results as they create.

Stroke & Coat fires glossy without clear glaze and is opaque with two to three coats. Because of its versatility, Stroke & Coat is the ideal product of choice for studio, classroom, potter or fine artist.

The Creative Choice 

Stroke & Coat (The Wonderglaze) is the industry most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist. 

General Use

One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,

Helpful Hints

• SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco NT-CLR glaze.
• SC-70 Pink-a-Dot is more translucent than other Stroke & Coat glazes. Additional coats may be necessary to achieve opacity.
• Stroke & Coat glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.

Product Features and Attributes
Stroke & Coat is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze. 

The extraordinary tolerance and forgiveness of Stroke & Coat allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs.  Colors butted against one another will not blend.  Used in Majolica techniques the glaze will not move, nor will it blend into the base glaze beneath it
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat will fire to a gloss finish when three or more coats are applied - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe.

MB1602 Retro Tree in Ready to Paint, Cone 04 Low Fire Ceramic Bisque

Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a cone 06 or painted with acrylics and sealed.

8.25 L x 8.25 W x 11.75 H

SC-01 Pink-A-Boo​ Stroke N Coat (Gallon) wonder-glaze for bisque by Mayco Colors  

Cone 06: Pink-A-Boo is a heavily pigmented, viscous Stroke & Coat glaze that can be used for brush strokes or opaque coverage.

One coat will create a translucent finish with subsequent coats adding opacity.

We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.

Cone 6: Transparent. Streaky. Color lightens.

Colors can butt up to one another without moving and when used in a majolica process, Stroke & Coat will not move nor blend with the colors beneath even when using light over dark. Stroke & Coat colors are intermixable, allowing artists to create custom shades. Thin with water or media to create a wash or watercolor style of design. Because the liquid color is consistent with the fired color, artists will have no trouble visualizing finished results as they create.

Stroke & Coat fires glossy without clear glaze and is opaque with two to three coats. Because of its versatility, Stroke & Coat is the ideal product of choice for studio, classroom, potter or fine artist.

The Creative Choice 

Stroke & Coat® (The Wonderglaze) is the industry’s most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist. 

General Use

One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,

Helpful Hints

• SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
• SC-70 Pink-a-Dot is more translucent than other Stroke & Coat glazes. Additional coats may be necessary to achieve opacity.
• Stroke & Coat glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.

Product Features and Attributes
Stroke & Coat is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze. 

The extraordinary tolerance and forgiveness of Stroke & Coat allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs.  Colors butted against one another will not blend.  Used in Majolica techniques the glaze will not move, nor will it blend into the base glaze beneath it
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat will fire to a gloss finish when three or more coats are applied - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe.

SC-45 My Blue Heaven Stroke N Coat (Gallon) by Mayco Colors  

Cone 06: My Blue Heaven is a heavily pigmented, viscous Stroke & Coat glaze that can be used for brush strokes or opaque coverage.

One coat will create a translucent finish with subsequent coats adding opacity.

We suggest two to three coats for full opacity and all over coverage.

Will fire to a gloss finish without clear glaze.

Cone 6: Semi-Transparent. No color change.

Colors can butt up to one another without moving and when used in a majolica process, Stroke & Coat will not move nor blend with the colors beneath even when using light over dark. Stroke & Coat colors are intermixable, allowing artists to create custom shades. Thin with water or media to create a wash or watercolor style of design. Because the liquid color is consistent with the fired color, artists will have no trouble visualizing finished results as they create.

Stroke & Coat fires glossy without clear glaze and is opaque with two to three coats. Because of its versatility, Stroke & Coat is the ideal product of choice for studio, classroom, potter or fine artist.

The Creative Choice 

Stroke & Coat (The Wonderglaze) is the industry most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist. 

General Use

One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,

Helpful Hints

• SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
• SC-70 Pink-a-Dot is more translucent than other Stroke & Coat glazes. Additional coats may be necessary to achieve opacity.
• Stroke & Coat glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.

Product Features and Attributes
Stroke & Coat is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze. 

The extraordinary tolerance and forgiveness of Stroke & Coat allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs.  Colors butted against one another will not blend.  Used in Majolica techniques the glaze will not move, nor will it blend into the base glaze beneath it
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat will fire to a gloss finish when three or more coats are applied - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe.

EZ031 - Light Blue (1-ounce) E-Z Stroke Translucent Underglaze

Cone 06: Light Blue is a translucent underglaze suitable for use with a number of decorating techniques including airbrushing, antiquing and brushstrokes.

Cone 6: Light Blue – Much darker blue. Recommended clear: SW-001 Stoneware Clear.

MB0002 - Lattice Lantern in Ready to Paint, Cone 04 Low Fire Ceramic Bisque

Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a cone 06 or painted with acrylics and sealed.

5.5 W x 5.5 W 8.5 H

MB1608 - Large Starlite Tree in Ready to Paint, Cone 04 Low Fire Ceramic Bisque

Low-Fire Cone 04 Ceramic Bisque is ready to be glazed and fired to a cone 06 or painted with acrylics and sealed.

6.75 L x 6.75 W x 12 H

SC-14 Java Bean Stroke N Coat (Gallon) by Mayco Colors  

Cone 06: Java Bean is a heavily pigmented, viscous Stroke & Coat glaze that can be used for brush strokes or opaque coverage.

One coat will create a translucent finish with subsequent coats adding opacity.

We suggest two to three coats for full opacity and all over coverage.

Will fire to a gloss finish without clear glaze.

Cone 6: Opaque. Color lightens to SC-25 Crackerjack Brown.

Colors can butt up to one another without moving and when used in a majolica process, Stroke & Coat will not move nor blend with the colors beneath even when using light over dark. Stroke & Coat colors are intermixable, allowing artists to create custom shades. Thin with water or media to create a wash or watercolor style of design. Because the liquid color is consistent with the fired color, artists will have no trouble visualizing finished results as they create.

Stroke & Coat fires glossy without clear glaze and is opaque with two to three coats. Because of its versatility, Stroke & Coat is the ideal product of choice for studio, classroom, potter or fine artist.

The Creative Choice 

Stroke & Coat (The Wonderglaze) is the industry most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist. 

General Use

One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,

Helpful Hints

• SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco NT-CLR glaze.
• SC-70 Pink-a-Dot is more translucent than other Stroke & Coat glazes. Additional coats may be necessary to achieve opacity.
• Stroke & Coat glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.

Product Features and Attributes
Stroke & Coat is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze. 

The extraordinary tolerance and forgiveness of Stroke & Coat allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs.  Colors butted against one another will not blend.  Used in Majolica techniques the glaze will not move, nor will it blend into the base glaze beneath it
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat will fire to a gloss finish when three or more coats are applied - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe.

SC-09 Jaded Stroke N Coat (Gallon) by Mayco Colors  

Cone 06: Jaded is a heavily pigmented, viscous Stroke & Coat glaze that can be used for brush strokes or opaque coverage.

One coat will create a translucent finish with subsequent coats adding opacity.

We suggest two to three coats for full opacity and all over coverage.

Will fire to a gloss finish without clear glaze.

Cone 6: Transparent. Slightly streaky. Color slightly lightens.

Colors can butt up to one another without moving and when used in a majolica process, Stroke & Coat will not move nor blend with the colors beneath even when using light over dark. Stroke & Coat colors are intermixable, allowing artists to create custom shades. Thin with water or media to create a wash or watercolor style of design. Because the liquid color is consistent with the fired color, artists will have no trouble visualizing finished results as they create.

Stroke & Coat fires glossy without clear glaze and is opaque with two to three coats. Because of its versatility, Stroke & Coat is the ideal product of choice for studio, classroom, potter or fine artist.

The Creative Choice 

Stroke & Coat® (The Wonderglaze) is the industry’s most versatile product. It can be applied to wet clay, earthenware bisque or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction and used in every decorative way imaginable. Stroke & Coat® can be the star or play a supporting role in endless glaze combinations. It is the ideal product of choice for the studio, classroom, potter, and fine artist. 

General Use

One coat will create a translucent finish with subsequent coats increasing opacity. We suggest 2-3 coats for opacity and all over coverage. Let dry between coats. Stroke & Coat glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze may be added. For application to clay, we recommend leaving an area unglazed, such as the back or bottom of the ware, to allow for out-gassing of the clay during the firing process. Stroke & Coat glazes have been formulated to mature at shelf cone 06/05. Most Stroke & Coat glazes will maintain their color at higher temperatures, especially reds, oranges, yellows, greens and blues. Their performance changes at cone 6 is noted on each individual product label. We recommend testing prior to use. For more information on mid-range performance,

Helpful Hints

• SC-13 Grapel and SC-33 Fruit of the Vine are formulated with Chrome-tin pigments and can be sensitive to non-toxic clear glazes. We recommend prior testing and light application of the clear glaze to avoid milkiness. These colors will not fade when used with Mayco’s NT-CLR glaze.
• SC-70 Pink-a-Dot is more translucent than other Stroke & Coat glazes. Additional coats may be necessary to achieve opacity.
• Stroke & Coat glazes do not move or blend when used with other glazes. You can apply side-by-side or layer without losing integrity of design.

Product Features and Attributes
Stroke & Coat is a heavy-bodied, versatile glaze that has the widest range of use and application of any Mayco glaze. 

The extraordinary tolerance and forgiveness of Stroke & Coat allows it to be used as follows:
Firing Temperature - can be fired from cone 06 to cone 10.
Kiln Atmosphere - reduction or oxidation firing.
Surface - can be applied to greenware of bisque.
Body - can be applied to earthenware, stoneware or porcelain.
Application Thickness - translucent and water-color effects can be achieved with thin applications; full opacity is achieved with thicker applications - if layered it can create dimensional effects.
Intermixable - Stroke & Coat glazes can be blended to create new colors.
Design Integrity - can be used to created intricate, detailed designs.  Colors butted against one another will not blend.  Used in Majolica techniques the glaze will not move, nor will it blend into the base glaze beneath it
Light over Dark - light colors will remain opaque when layered on top of darker colors (3 coat coverage recommended).
Liquid-to-Fired Color Consistency - the colors in their liquid state accurately represent the fired color.
Glossy Finish - Stroke & Coat will fire to a gloss finish when three or more coats are applied - clear glaze is not required.
Wide Palette of Colors - Stroke & Coat glazes are available in over 70 vibrant bright and pastel shades.
Non-Toxic, Food Safe.

SC-36 Irish Luck Stroke N Coat (Gallon) by Mayco Colors